Tokyo Twilight
1957 · 141 min · Director: Yasujirō Ozu
Show plot summary (may contain spoilers)
Two sisters find out the existence of their long-lost mother, but the younger cannot accept the fact that she was abandoned as a child.
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Emotional fingerprint
Tokyo Twilight (1957) — Movie. Top emotional signals: Melancholy 35%, Sadness 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy35%
- Sadness25%
- Empathy20%
- Nostalgia10%
- Anxiety10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Sadness, Empathy. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Sadness and Empathy. Its IMDb rating of 8.0/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Emotional journey
- Sadness
- Empathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Not enough subtitle evidence | 18 % | 8 % | 14 % | 11 % |
| 7.5 % | ≈ 11′ | Empathy | 25 % | 15 % | 21 % | 17 % |
| 12.5 % | ≈ 18′ | Curiosity | 27 % | 15 % | 19 % | 15 % |
| 17.5 % | ≈ 25′ | Curiosity | 30 % | 18 % | 21 % | 14 % |
| 22.5 % | ≈ 32′ | Sadness | 36 % | 25 % | 28 % | 17 % |
| 27.5 % | ≈ 39′ | Curiosity | 43 % | 29 % | 34 % | 28 % |
| 32.5 % | ≈ 46′ | Tension | 51 % | 32 % | 43 % | 46 % |
| 37.5 % | ≈ 53′ | Tension | 57 % | 39 % | 51 % | 54 % |
| 42.5 % | ≈ 60′ | Empathy | 64 % | 54 % | 62 % | 50 % |
| 47.5 % | ≈ 67′ | Sadness | 66 % | 60 % | 64 % | 45 % |
| 52.5 % | ≈ 74′ | Sadness | 61 % | 54 % | 59 % | 43 % |
| 57.5 % | ≈ 81′ | Empathy | 52 % | 43 % | 50 % | 35 % |
| 62.5 % | ≈ 88′ | Curiosity | 42 % | 29 % | 35 % | 24 % |
| 67.5 % | ≈ 95′ | Curiosity | 52 % | 40 % | 43 % | 38 % |
| 72.5 % | ≈ 102′ | Sadness | 72 % | 64 % | 66 % | 62 % |
| 77.5 % | ≈ 109′ | Sadness | 81 % | 73 % | 78 % | 73 % |
| 82.5 % | ≈ 116′ | Empathy | 87 % | 80 % | 83 % | 71 % |
| 87.5 % | ≈ 123′ | Sadness | 89 % | 86 % | 85 % | 51 % |
| 92.5 % | ≈ 130′ | Sadness | 84 % | 82 % | 81 % | 28 % |
| 97.5 % | ≈ 137′ | Sadness | 80 % | 77 % | 78 % | 19 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Baa's Guest
Housekeeper Tomizawa
Mahjong Parlor Owner
Details
- Directed by
- Yasujirō Ozu
- Written by
- Yasujirō Ozu, Kōgo Noda
- Type
- Movies
- Released
- 1957
- Runtime
- 141 min
- Country
- Japan
- Genres
- Drama
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
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