Into the Night
1985 · 115 min · Director: John Landis
Show plot summary (may contain spoilers)
Ed Okin used to have a boring life. He used to have trouble getting to sleep. Then one night, he met Diana. Now, Ed's having trouble staying alive.
Emotional fingerprint
Into the Night (1985) — Movie. Top emotional signals: Excitement 30%, Humor 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Humor25%
- Tension20%
- Love15%
- Surprise10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Humor, Tension. Genres: Thriller, Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Humor and Tension. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Tension
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Tension | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 35 % | 17 % | 15 % | 9 % |
| 7.5 % | ≈ 9′ | Sadness | 35 % | 20 % | 13 % | 13 % |
| 12.5 % | ≈ 14′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 17.5 % | ≈ 20′ | Tension | 62 % | 45 % | 58 % | 7 % |
| 22.5 % | ≈ 26′ | Curiosity | 54 % | 44 % | 49 % | 14 % |
| 27.5 % | ≈ 32′ | Tension | 52 % | 46 % | 46 % | 26 % |
| 32.5 % | ≈ 37′ | Curiosity | 53 % | 51 % | 43 % | 29 % |
| 37.5 % | ≈ 43′ | Curiosity | 58 % | 55 % | 48 % | 18 % |
| 42.5 % | ≈ 49′ | Tension | 65 % | 57 % | 61 % | 13 % |
| 47.5 % | ≈ 55′ | Curiosity | 64 % | 54 % | 62 % | 18 % |
| 52.5 % | ≈ 60′ | Tension | 60 % | 46 % | 57 % | 23 % |
| 57.5 % | ≈ 66′ | Tension | 56 % | 39 % | 51 % | 26 % |
| 62.5 % | ≈ 72′ | Sadness | 56 % | 39 % | 50 % | 29 % |
| 67.5 % | ≈ 78′ | Tension | 57 % | 41 % | 51 % | 33 % |
| 72.5 % | ≈ 83′ | Humor | 52 % | 43 % | 46 % | 34 % |
| 77.5 % | ≈ 89′ | Curiosity | 54 % | 48 % | 50 % | 29 % |
| 82.5 % | ≈ 95′ | Tension | 63 % | 52 % | 62 % | 28 % |
| 87.5 % | ≈ 101′ | Tension | 66 % | 49 % | 59 % | 31 % |
| 92.5 % | ≈ 106′ | Relief | 54 % | 40 % | 35 % | 29 % |
| 97.5 % | ≈ 112′ | Relief | 40 % | 30 % | 15 % | 19 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Ellen Okin
Drug Dealer
Details
- Directed by
- John Landis
- Written by
- Ron Koslow
- Type
- Movies
- Released
- 1985
- Runtime
- 115 min
- Country
- United States of America
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
