The Shooting
1966 · 82 min · Director: Monte Hellman
Show plot summary (may contain spoilers)
Two miners agree to guide a mysterious woman, who has appeared in their camp from nowhere, to a nearby town; but soon, because of her erratic behavior, they begin to suspect that her true purpose is quite different.
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Emotional fingerprint
The Shooting (1966) — Movie. Top emotional signals: Tension 35%, Confusion 25%, Curiosity 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension35%
- Confusion25%
- Curiosity20%
- Anxiety10%
- Disturbing10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Confusion, Curiosity. Genres: Mystery, Western. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Confusion and Curiosity. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Sadness | 55 % | 49 % | 46 % | 26 % |
| 7.5 % | ≈ 6′ | Tension | 57 % | 53 % | 44 % | 32 % |
| 12.5 % | ≈ 10′ | Tension | 52 % | 47 % | 42 % | 27 % |
| 17.5 % | ≈ 14′ | Curiosity | 50 % | 39 % | 51 % | 17 % |
| 22.5 % | ≈ 18′ | Curiosity | 48 % | 31 % | 52 % | 10 % |
| 27.5 % | ≈ 23′ | Humor | 46 % | 30 % | 46 % | 9 % |
| 32.5 % | ≈ 27′ | Curiosity | 51 % | 38 % | 54 % | 13 % |
| 37.5 % | ≈ 31′ | Curiosity | 52 % | 41 % | 61 % | 14 % |
| 42.5 % | ≈ 35′ | Curiosity | 52 % | 43 % | 61 % | 16 % |
| 47.5 % | ≈ 39′ | Curiosity | 60 % | 56 % | 63 % | 26 % |
| 52.5 % | ≈ 43′ | Tension | 66 % | 66 % | 61 % | 34 % |
| 57.5 % | ≈ 47′ | Tension | 67 % | 68 % | 51 % | 37 % |
| 62.5 % | ≈ 51′ | Tension | 70 % | 70 % | 42 % | 41 % |
| 67.5 % | ≈ 55′ | Tension | 71 % | 69 % | 45 % | 39 % |
| 72.5 % | ≈ 59′ | Curiosity | 68 % | 63 % | 52 % | 32 % |
| 77.5 % | ≈ 64′ | Sadness | 70 % | 64 % | 46 % | 35 % |
| 82.5 % | ≈ 68′ | Tension | 77 % | 72 % | 39 % | 44 % |
| 87.5 % | ≈ 72′ | Sadness | 82 % | 77 % | 41 % | 50 % |
| 92.5 % | ≈ 76′ | Tension | 84 % | 80 % | 45 % | 55 % |
| 97.5 % | ≈ 80′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Leland Drum
Crosstree Townsman #2
Details
- Directed by
- Monte Hellman
- Written by
- Carole Eastman
- Type
- Movies
- Released
- 1966
- Runtime
- 82 min
- Country
- United States of America
- Ratings
- Feels mostly
- Tension
- Data updated
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