Oh, God!
1977 · 98 min · Director: Carl Reiner, Carl Reiner
Show plot summary (may contain spoilers)
When God appears to an assistant grocery manager as a good natured old man, the Almighty selects him as his messenger for the modern world.
Emotional fingerprint
Oh, God! (1977) — Movie. Top emotional signals: Humor 35%, Joy 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Joy25%
- Love20%
- Inspiration10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Love. Genres: Comedy, Fantasy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Love. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Hope
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Hope | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 32 % | 30 % | 0 % | 28 % |
| 7.5 % | ≈ 7′ | Curiosity | 41 % | 35 % | 1 % | 39 % |
| 12.5 % | ≈ 12′ | Curiosity | 53 % | 45 % | 7 % | 51 % |
| 17.5 % | ≈ 17′ | Humor | 58 % | 52 % | 12 % | 51 % |
| 22.5 % | ≈ 22′ | Humor | 59 % | 56 % | 11 % | 47 % |
| 27.5 % | ≈ 27′ | Humor | 57 % | 54 % | 16 % | 47 % |
| 32.5 % | ≈ 32′ | Humor | 55 % | 50 % | 22 % | 43 % |
| 37.5 % | ≈ 37′ | Humor | 55 % | 51 % | 16 % | 39 % |
| 42.5 % | ≈ 42′ | Humor | 52 % | 50 % | 14 % | 35 % |
| 47.5 % | ≈ 47′ | Humor | 49 % | 44 % | 16 % | 28 % |
| 52.5 % | ≈ 51′ | Humor | 52 % | 46 % | 14 % | 29 % |
| 57.5 % | ≈ 56′ | Humor | 58 % | 55 % | 12 % | 33 % |
| 62.5 % | ≈ 61′ | Humor | 59 % | 55 % | 11 % | 35 % |
| 67.5 % | ≈ 66′ | Humor | 55 % | 48 % | 18 % | 40 % |
| 72.5 % | ≈ 71′ | Humor | 55 % | 47 % | 34 % | 43 % |
| 77.5 % | ≈ 76′ | Humor | 58 % | 46 % | 37 % | 38 % |
| 82.5 % | ≈ 81′ | Tension | 64 % | 44 % | 37 % | 40 % |
| 87.5 % | ≈ 86′ | Hope | 70 % | 44 % | 51 % | 41 % |
| 92.5 % | ≈ 91′ | Hope | 71 % | 36 % | 65 % | 28 % |
| 97.5 % | ≈ 96′ | Hope | 70 % | 30 % | 67 % | 16 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Oh, God!. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Adam Landers
Becky Landers
Jerry Dunphy
TV Reporter
Mrs. Green
Mrs. Levin
Details
- Directed by
- Carl Reiner, Carl Reiner
- Written by
- Larry Gelbart, Avery Corman
- Type
- Movies
- Released
- 1977
- Runtime
- 98 min
- Country
- United States of America
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
