feeldb

The Mod Squad

1999 · 92 min · Director: Scott Silver ★ IMDb 4.4 · 9,930 ratings

Show plot summary (may contain spoilers)

Three youthful delinquents escape conviction for their crimes by teaming with the LAPD.

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Emotional fingerprint

The Mod Squad (1999) — Movie. Top emotional signals: Excitement 30%, Anxiety 25%, Confusion 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Excitement, Anxiety, Confusion. Genres: Thriller, Drama, Mystery. AI estimate.

Is it worth watching?

Consider this title if you are looking for Excitement, Anxiety and Confusion. Its IMDb rating of 4.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 54/100.

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Emotional journey

AI · from subtitles
  • Tension
  • Curiosity
  • Relief

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Tension

Dominant emotion: Curiosity

Dominant emotion: Sadness

Dominant emotion: Humor

Dominant emotion: Relief

Tension
Curiosity
Relief
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 13 %, then rises around 28 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionCuriosityRelief
2.5 %≈ 2′Tension47 %40 %38 %10 %
7.5 %≈ 7′Curiosity43 %33 %36 %8 %
12.5 %≈ 12′Curiosity41 %30 %32 %8 %
17.5 %≈ 16′Tension45 %38 %26 %6 %
22.5 %≈ 21′Tension49 %43 %29 %5 %
27.5 %≈ 25′Curiosity57 %49 %44 %3 %
32.5 %≈ 30′Sadness67 %52 %50 %1 %
37.5 %≈ 35′Sadness63 %44 %44 %4 %
42.5 %≈ 39′Tension54 %41 %39 %4 %
47.5 %≈ 44′Humor56 %49 %40 %1 %
52.5 %≈ 48′Tension65 %57 %41 %3 %
57.5 %≈ 53′Tension69 %61 %43 %6 %
62.5 %≈ 58′Curiosity64 %50 %44 %11 %
67.5 %≈ 62′Sadness59 %36 %41 %15 %
72.5 %≈ 67′Curiosity60 %43 %46 %9 %
77.5 %≈ 71′Tension61 %53 %49 %1 %
82.5 %≈ 76′Humor56 %49 %44 %0 %
87.5 %≈ 81′Tension61 %55 %41 %8 %
92.5 %≈ 85′Tension73 %58 %32 %32 %
97.5 %≈ 90′Relief76 %40 %22 %57 %
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

Dennis Farina

Captain Adam Greer

SH
Steve Harris

Steve Harris

Det. Briggs

Richard Jenkins

Det. Bob Mothershed

LB
Larry Brandenburg

LB
Larry Brandenburg

Eckford

LM
Lionel Mark Smith

Sam McMurray

Tricky

SK
Stephen Kay

Bald Dude

BE
Bodhi Elfman

Gilbert - Skinny Freak (as Bodhi Pine Elfman)

Holmes Osborne

Pete's Father

DY
Dey Young

Mrs. Cochrane

KL
Khristian Lupo

Tiffany's Boyfriend

Details

Directed by
Scott Silver
Type
Movies
Released
1999
Runtime
92 min
Country
United States of America
Ratings
★ IMDb 4.4 · 9,930 ratings
Feels mostly
Excitement
Data updated

Where to watch

Also on

Availability varies by country

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.