Love and Pigeons
1984 · 107 min · Director: Vladimir Menshov
Show plot summary (may contain spoilers)
One of the most favorite Soviet comedies, a screen version of the play of the same name by Vladimir Gurkin. Each of us knows the story of Vasily, who went to the resort, succumbed to the charms of a femme fatale Raisa Zakharovna, but could not withstand two weeks of urban life, and returned to his family, where he waited for love and pigeons.
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Emotional fingerprint
Love and Pigeons (1984) — Movie. Top emotional signals: Humor 32%, Love 25%, Empathy 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor32%
- Love25%
- Empathy18%
- Sadness15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Empathy. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Empathy. Its IMDb rating of 7.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Humor
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Humor | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 53 % | 12 % | 53 % | 3 % |
| 7.5 % | ≈ 8′ | Humor | 51 % | 13 % | 50 % | 5 % |
| 12.5 % | ≈ 13′ | Humor | 51 % | 11 % | 41 % | 19 % |
| 17.5 % | ≈ 19′ | Sadness | 55 % | 10 % | 39 % | 35 % |
| 22.5 % | ≈ 24′ | Humor | 56 % | 15 % | 49 % | 31 % |
| 27.5 % | ≈ 29′ | Humor | 51 % | 20 % | 51 % | 15 % |
| 32.5 % | ≈ 35′ | Humor | 46 % | 19 % | 45 % | 10 % |
| 37.5 % | ≈ 40′ | Humor | 48 % | 25 % | 39 % | 19 % |
| 42.5 % | ≈ 45′ | Love | 57 % | 33 % | 33 % | 36 % |
| 47.5 % | ≈ 51′ | Sadness | 70 % | 28 % | 36 % | 55 % |
| 52.5 % | ≈ 56′ | Sadness | 71 % | 20 % | 48 % | 54 % |
| 57.5 % | ≈ 62′ | Humor | 66 % | 16 % | 45 % | 46 % |
| 62.5 % | ≈ 67′ | Sadness | 70 % | 18 % | 33 % | 56 % |
| 67.5 % | ≈ 72′ | Sadness | 75 % | 24 % | 28 % | 64 % |
| 72.5 % | ≈ 78′ | Sadness | 75 % | 40 % | 30 % | 56 % |
| 77.5 % | ≈ 83′ | Love | 79 % | 65 % | 40 % | 38 % |
| 82.5 % | ≈ 88′ | Love | 80 % | 75 % | 45 % | 21 % |
| 87.5 % | ≈ 94′ | Love | 71 % | 63 % | 43 % | 20 % |
| 92.5 % | ≈ 99′ | Humor | 63 % | 48 % | 47 % | 22 % |
| 97.5 % | ≈ 104′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
young Vasya (uncredited)
beer enthusiast (uncredited)
(uncredited)
Details
- Directed by
- Vladimir Menshov
- Written by
- Vladimir Gurkin
- Type
- Movies
- Released
- 1984
- Runtime
- 107 min
- Country
- Soviet Union
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





