feeldb

Love and Pigeons

1984 · 107 min · Director: Vladimir Menshov ★ IMDb 7.8 · 6,584 ratings

Show plot summary (may contain spoilers)

One of the most favorite Soviet comedies, a screen version of the play of the same name by Vladimir Gurkin. Each of us knows the story of Vasily, who went to the resort, succumbed to the charms of a femme fatale Raisa Zakharovna, but could not withstand two weeks of urban life, and returned to his family, where he waited for love and pigeons.

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Emotional fingerprint

Love and Pigeons (1984) — Movie. Top emotional signals: Humor 32%, Love 25%, Empathy 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

32%Humor
25%Love
  1. Humor32%
  2. Love25%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Humor, Love, Empathy. Genres: Comedy, Romance. AI estimate.

Is it worth watching?

Consider this title if you are looking for Humor, Love and Empathy. Its IMDb rating of 7.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.

How did it make you feel?

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Pick up to three · 0/3

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Emotional journey

AI · from subtitles
  • Love
  • Humor
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Sadness

Dominant emotion: Love

Love
Humor
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 33 %, then rises around 43 %, then peaks around 83 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityLoveHumorSadness
2.5 %≈ 3′Humor53 %12 %53 %3 %
7.5 %≈ 8′Humor51 %13 %50 %5 %
12.5 %≈ 13′Humor51 %11 %41 %19 %
17.5 %≈ 19′Sadness55 %10 %39 %35 %
22.5 %≈ 24′Humor56 %15 %49 %31 %
27.5 %≈ 29′Humor51 %20 %51 %15 %
32.5 %≈ 35′Humor46 %19 %45 %10 %
37.5 %≈ 40′Humor48 %25 %39 %19 %
42.5 %≈ 45′Love57 %33 %33 %36 %
47.5 %≈ 51′Sadness70 %28 %36 %55 %
52.5 %≈ 56′Sadness71 %20 %48 %54 %
57.5 %≈ 62′Humor66 %16 %45 %46 %
62.5 %≈ 67′Sadness70 %18 %33 %56 %
67.5 %≈ 72′Sadness75 %24 %28 %64 %
72.5 %≈ 78′Sadness75 %40 %30 %56 %
77.5 %≈ 83′Love79 %65 %40 %38 %
82.5 %≈ 88′Love80 %75 %45 %21 %
87.5 %≈ 94′Love71 %63 %43 %20 %
92.5 %≈ 99′Humor63 %48 %47 %22 %
97.5 %≈ 104′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

AM
Aleksandr Mikhaylov

ND
Nina Doroshina

LG
Lyudmila Gurchenko

SY
Sergei Yursky

NT
Natalya Tenyakova

YL
Yanina Lisovskaya

IL
Igor Lyakh

LS
Lada Sizonenko

KM
Konstantin Mikhailov

KM
Konstantin Mikhaylov

young Vasya (uncredited)

MK
Mikhail Kolesnikov

beer enthusiast (uncredited)

VM
Vyatcheslav Maneshin

(uncredited)

Details

Directed by
Vladimir Menshov
Written by
Vladimir Gurkin
Type
Movies
Released
1984
Runtime
107 min
Country
Soviet Union
Ratings
★ IMDb 7.8 · 6,584 ratings
Feels mostly
Humor
Data updated

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Emotion overlap shows mood similarity, not a prediction of enjoyment.