Motherhood
2009 · 90 min · Director: Katherine Dieckmann
Show plot summary (may contain spoilers)
In Manhattan, a mother of two preparing for her daughter's sixth birthday party has no idea of the challenges she's about to face in order to pull off the event.
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Emotional fingerprint
Motherhood (2009) — Movie. Top emotional signals: Anxiety 30%, Empathy 25%, Humor 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Empathy, Humor. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Empathy and Humor. Its IMDb rating of 4.6/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 55/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Joy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Joy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 7.5 % | ≈ 7′ | Humor | 35 % | 32 % | 15 % | 12 % |
| 12.5 % | ≈ 11′ | Humor | 40 % | 33 % | 14 % | 19 % |
| 17.5 % | ≈ 16′ | Tension | 46 % | 34 % | 8 % | 33 % |
| 22.5 % | ≈ 20′ | Tension | 43 % | 32 % | 6 % | 35 % |
| 27.5 % | ≈ 25′ | Humor | 37 % | 29 % | 8 % | 25 % |
| 32.5 % | ≈ 29′ | Humor | 36 % | 29 % | 12 % | 21 % |
| 37.5 % | ≈ 34′ | Humor | 38 % | 32 % | 16 % | 20 % |
| 42.5 % | ≈ 38′ | Empathy | 39 % | 33 % | 11 % | 24 % |
| 47.5 % | ≈ 43′ | Humor | 40 % | 32 % | 7 % | 29 % |
| 52.5 % | ≈ 47′ | Empathy | 41 % | 36 % | 14 % | 22 % |
| 57.5 % | ≈ 52′ | Empathy | 46 % | 41 % | 24 % | 21 % |
| 62.5 % | ≈ 56′ | Tension | 53 % | 43 % | 20 % | 37 % |
| 67.5 % | ≈ 61′ | Tension | 60 % | 43 % | 8 % | 53 % |
| 72.5 % | ≈ 65′ | Tension | 66 % | 48 % | 7 % | 53 % |
| 77.5 % | ≈ 70′ | Empathy | 65 % | 50 % | 23 % | 34 % |
| 82.5 % | ≈ 74′ | Joy | 59 % | 44 % | 42 % | 16 % |
| 87.5 % | ≈ 79′ | Joy | 59 % | 44 % | 50 % | 8 % |
| 92.5 % | ≈ 83′ | Joy | 60 % | 47 % | 53 % | 3 % |
| 97.5 % | ≈ 88′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Snotty Production Assistant (as Jake Smith)
Woman in Bakery Line
Details
- Directed by
- Katherine Dieckmann
- Written by
- Katherine Dieckmann
- Type
- Movies
- Released
- 2009
- Runtime
- 90 min
- Country
- United States of America
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Free
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





