1984
1956 · 90 min · Director: Michael Anderson
Show plot summary (may contain spoilers)
In a totalitarian future society, a man whose daily work is rewriting history tries to rebel by falling in love.
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Emotional fingerprint
1984 (1956) — Movie. Top emotional signals: Anxiety 35%, Sadness 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety35%
- Sadness25%
- Tension20%
- Love10%
- Disturbing10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Sadness, Tension. Genres: Drama, Sci-Fi. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Sadness and Tension. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Disturbing
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion: Love
Dominant emotion: Fear
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 68 % | 67 % | 52 % | 20 % |
| 7.5 % | ≈ 7′ | Tension | 66 % | 65 % | 51 % | 20 % |
| 12.5 % | ≈ 11′ | Tension | 54 % | 49 % | 40 % | 21 % |
| 17.5 % | ≈ 16′ | Sadness | 48 % | 38 % | 30 % | 21 % |
| 22.5 % | ≈ 20′ | Tension | 61 % | 53 % | 46 % | 20 % |
| 27.5 % | ≈ 25′ | Disturbing | 73 % | 60 % | 69 % | 24 % |
| 32.5 % | ≈ 29′ | Disturbing | 72 % | 54 % | 69 % | 25 % |
| 37.5 % | ≈ 34′ | Love | 70 % | 57 % | 54 % | 23 % |
| 42.5 % | ≈ 38′ | Tension | 67 % | 59 % | 35 % | 21 % |
| 47.5 % | ≈ 43′ | Love | 65 % | 51 % | 21 % | 21 % |
| 52.5 % | ≈ 47′ | Love | 66 % | 51 % | 24 % | 24 % |
| 57.5 % | ≈ 52′ | Tension | 66 % | 60 % | 35 % | 19 % |
| 62.5 % | ≈ 56′ | Tension | 69 % | 61 % | 43 % | 19 % |
| 67.5 % | ≈ 61′ | Love | 76 % | 63 % | 54 % | 39 % |
| 72.5 % | ≈ 65′ | Tension | 86 % | 78 % | 71 % | 58 % |
| 77.5 % | ≈ 70′ | Disturbing | 90 % | 88 % | 85 % | 64 % |
| 82.5 % | ≈ 74′ | Disturbing | 93 % | 88 % | 91 % | 71 % |
| 87.5 % | ≈ 79′ | Sadness | 95 % | 89 % | 93 % | 79 % |
| 92.5 % | ≈ 83′ | Fear | 96 % | 80 % | 91 % | 83 % |
| 97.5 % | ≈ 88′ | Sadness | 96 % | 62 % | 88 % | 88 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Syme
Outer Party Orator
Special Woman (uncredited)
Woman (voice) (uncredited)
Telescreen (voice) (uncredited)
Details
- Directed by
- Michael Anderson
- Written by
- George Orwell, William Templeton, Ralph Gilbert Bettison
- Type
- Movies
- Released
- 1956
- Runtime
- 90 min
- Country
- United Kingdom, United States of America
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





