Pardon Mon Affaire
1976 · 105 min · Director: Yves Robert, Yves Robert
Show plot summary (may contain spoilers)
On an otherwise normal day, Étienne, a happily married man and a good father, sees something that stops him dead in his tracks: a gorgeous woman in a billowing red dress. Long after she has left his vision, her memory continues to haunt his mind. He falls instantly in love with her and tries everything to get to know her better. Helping Étienne snare his elusive lady in red are his three bumbling buddies, which all have secret affairs and/or cheat on their wives.
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Emotional fingerprint
Pardon Mon Affaire (1976) — Movie. Top emotional signals: Humor 35%, Love 25%, Anxiety 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Anxiety. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Anxiety. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Emotional journey
- Humor
- Anticipation
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Anticipation
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Anticipation | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Anticipation | 40 % | 33 % | 33 % | 10 % |
| 7.5 % | ≈ 8′ | Humor | 41 % | 38 % | 25 % | 13 % |
| 12.5 % | ≈ 13′ | Humor | 44 % | 39 % | 21 % | 19 % |
| 17.5 % | ≈ 18′ | Humor | 44 % | 38 % | 21 % | 23 % |
| 22.5 % | ≈ 24′ | Humor | 40 % | 38 % | 18 % | 20 % |
| 27.5 % | ≈ 29′ | Humor | 40 % | 34 % | 16 % | 21 % |
| 32.5 % | ≈ 34′ | Sympathy | 44 % | 31 % | 21 % | 25 % |
| 37.5 % | ≈ 39′ | Humor | 43 % | 36 % | 26 % | 21 % |
| 42.5 % | ≈ 45′ | Humor | 41 % | 41 % | 25 % | 20 % |
| 47.5 % | ≈ 50′ | Humor | 45 % | 39 % | 28 % | 20 % |
| 52.5 % | ≈ 55′ | Anticipation | 48 % | 34 % | 35 % | 18 % |
| 57.5 % | ≈ 60′ | Humor | 46 % | 38 % | 35 % | 18 % |
| 62.5 % | ≈ 66′ | Humor | 46 % | 43 % | 34 % | 21 % |
| 67.5 % | ≈ 71′ | Humor | 46 % | 39 % | 32 % | 28 % |
| 72.5 % | ≈ 76′ | Sympathy | 45 % | 35 % | 26 % | 23 % |
| 77.5 % | ≈ 81′ | Love | 46 % | 35 % | 26 % | 18 % |
| 82.5 % | ≈ 87′ | Anticipation | 50 % | 38 % | 31 % | 29 % |
| 87.5 % | ≈ 92′ | Humor | 57 % | 46 % | 35 % | 45 % |
| 92.5 % | ≈ 97′ | Humor | 65 % | 56 % | 44 % | 56 % |
| 97.5 % | ≈ 102′ | Humor | 68 % | 62 % | 50 % | 60 % |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Esperanza
Stéphanie
Delphine
Charles
Deschanels
Marie-Ange
Miss Pintard
Étienne's Collaborator
Details
- Directed by
- Yves Robert, Yves Robert
- Written by
- Yves Robert, Jean-Loup Dabadie, Yves Robert
- Type
- Movies
- Released
- 1976
- Runtime
- 105 min
- Country
- France
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





