Bonjour Tristesse
1958 · 94 min · Director: Otto Preminger
Show plot summary (may contain spoilers)
A spoiled teenager spends the summer at the French Riviera with her rich, widower, playboy father, but when his old flame resurfaces, she resolves to keep her frivolous lifestyle at all costs.
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Emotional fingerprint
Bonjour Tristesse (1958) — Movie. Top emotional signals: Melancholy 35%, Anxiety 20%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy35%
- Anxiety20%
- Empathy20%
- Sadness15%
- Nostalgia10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Anxiety, Empathy. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Anxiety and Empathy. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Melancholy
- Sympathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Melancholy
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Melancholy | Sympathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Melancholy | 42 % | 38 % | 22 % | 12 % |
| 7.5 % | ≈ 7′ | Melancholy | 48 % | 45 % | 23 % | 8 % |
| 12.5 % | ≈ 12′ | Melancholy | 49 % | 34 % | 19 % | 6 % |
| 17.5 % | ≈ 16′ | Humor | 46 % | 11 % | 13 % | 11 % |
| 22.5 % | ≈ 21′ | Humor | 41 % | 6 % | 11 % | 20 % |
| 27.5 % | ≈ 26′ | Tension | 39 % | 10 % | 16 % | 30 % |
| 32.5 % | ≈ 31′ | Humor | 46 % | 10 % | 19 % | 28 % |
| 37.5 % | ≈ 35′ | Humor | 54 % | 10 % | 14 % | 14 % |
| 42.5 % | ≈ 40′ | Humor | 51 % | 9 % | 14 % | 16 % |
| 47.5 % | ≈ 45′ | Humor | 46 % | 11 % | 24 % | 30 % |
| 52.5 % | ≈ 49′ | Sympathy | 46 % | 15 % | 31 % | 37 % |
| 57.5 % | ≈ 54′ | Tension | 50 % | 19 % | 32 % | 44 % |
| 62.5 % | ≈ 59′ | Tension | 53 % | 23 % | 30 % | 48 % |
| 67.5 % | ≈ 63′ | Tension | 53 % | 15 % | 24 % | 48 % |
| 72.5 % | ≈ 68′ | Tension | 54 % | 10 % | 23 % | 49 % |
| 77.5 % | ≈ 73′ | Tension | 58 % | 18 % | 29 % | 53 % |
| 82.5 % | ≈ 78′ | Tension | 65 % | 23 % | 36 % | 61 % |
| 87.5 % | ≈ 82′ | Tension | 74 % | 33 % | 50 % | 69 % |
| 92.5 % | ≈ 87′ | Sympathy | 81 % | 60 % | 68 % | 56 % |
| 97.5 % | ≈ 92′ | Melancholy | 87 % | 82 % | 75 % | 35 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Philippe
Jacques
Denise
Hubert
Maid
Undetermined Secondary Role (uncredited)
Bit part (uncredited)
Dancer (uncredited)
Details
- Directed by
- Otto Preminger
- Written by
- Arthur Laurents, Françoise Sagan
- Type
- Movies
- Released
- 1958
- Runtime
- 94 min
- Country
- United Kingdom, United States of America
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





