Intersection
1994 · 98 min · Director: Mark Rydell
Show plot summary (may contain spoilers)
During a car accident, Vincent Eastman watches his whole life flash before his eyes, and he doesn't like what he sees. While maintaining the semblance of a marriage with his wife, Sally, Vincent has been carrying on with a mistress, Olivia. She's everything Sally isn't -- warm, passionate, carefree. So why can't he choose between the two, especially when his indecision is taking its toll on his daughter?
Emotional fingerprint
Intersection (1994) — Movie. Top emotional signals: Melancholy 30%, Empathy 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy30%
- Empathy25%
- Anxiety20%
- Love15%
- Sadness10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Empathy, Anxiety. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Empathy and Anxiety. Its IMDb rating of 5.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 57/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sadness
- Tension
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Tension | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Love | 30 % | 5 % | 10 % | 25 % |
| 7.5 % | ≈ 7′ | Love | 35 % | 11 % | 24 % | 25 % |
| 12.5 % | ≈ 12′ | Tension | 40 % | 23 % | 29 % | 20 % |
| 17.5 % | ≈ 17′ | Sadness | 41 % | 29 % | 20 % | 21 % |
| 22.5 % | ≈ 22′ | Love | 36 % | 21 % | 19 % | 25 % |
| 27.5 % | ≈ 27′ | Love | 36 % | 15 % | 24 % | 30 % |
| 32.5 % | ≈ 32′ | Love | 41 % | 15 % | 24 % | 38 % |
| 37.5 % | ≈ 37′ | Love | 40 % | 15 % | 20 % | 36 % |
| 42.5 % | ≈ 42′ | Love | 43 % | 16 % | 26 % | 27 % |
| 47.5 % | ≈ 47′ | Tension | 51 % | 24 % | 44 % | 21 % |
| 52.5 % | ≈ 51′ | Tension | 49 % | 30 % | 43 % | 23 % |
| 57.5 % | ≈ 56′ | Love | 48 % | 35 % | 38 % | 25 % |
| 62.5 % | ≈ 61′ | Tension | 55 % | 38 % | 45 % | 28 % |
| 67.5 % | ≈ 66′ | Hope | 55 % | 24 % | 36 % | 38 % |
| 72.5 % | ≈ 71′ | Hope | 63 % | 16 % | 39 % | 40 % |
| 77.5 % | ≈ 76′ | Tension | 77 % | 28 % | 68 % | 26 % |
| 82.5 % | ≈ 81′ | Tension | 83 % | 48 % | 78 % | 18 % |
| 87.5 % | ≈ 86′ | Sadness | 81 % | 69 % | 58 % | 18 % |
| 92.5 % | ≈ 91′ | Sadness | 78 % | 77 % | 35 % | 18 % |
| 97.5 % | ≈ 96′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Intersection. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Van Driver
Van Driver's Son
Receptionist
Step Magazine
Step Magazine
Step Magazine
Step Magazine
Details
- Directed by
- Mark Rydell
- Written by
- David Rayfiel, Marshall Brickman, Paul Guimard, David Rayfiel
- Type
- Movies
- Released
- 1994
- Runtime
- 98 min
- Country
- United States of America
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
