feeldb

The Desperate Hours

1955 · 112 min · Director: William Wyler ★ IMDb 7.5 · 11,982 ratings

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Escaped convicts terrorize a suburban family they're holding hostage.

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Emotional fingerprint

The Desperate Hours (1955) — Movie. Top emotional signals: Anxiety 35%, Tension 30%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

20%Fear
  1. Fear20%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Anxiety, Tension, Fear. Genres: Thriller, Crime. AI estimate.

Is it worth watching?

Consider this title if you are looking for Anxiety, Tension and Fear. Its IMDb rating of 7.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 75/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Fear
  • Sympathy

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Tension

Dominant emotion: Sympathy

Dominant emotion: Relief

Tension
Fear
Sympathy
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 13 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionFearSympathy
2.5 %≈ 3′Tension42 %38 %25 %13 %
7.5 %≈ 8′Tension56 %55 %38 %25 %
12.5 %≈ 14′Tension69 %69 %50 %40 %
17.5 %≈ 20′Tension76 %75 %59 %56 %
22.5 %≈ 25′Sympathy78 %76 %63 %61 %
27.5 %≈ 31′Tension78 %76 %65 %57 %
32.5 %≈ 36′Tension82 %81 %71 %64 %
37.5 %≈ 42′Tension84 %83 %70 %69 %
42.5 %≈ 48′Sympathy81 %77 %63 %66 %
47.5 %≈ 53′Tension80 %77 %64 %61 %
52.5 %≈ 59′Tension82 %81 %69 %60 %
57.5 %≈ 64′Tension84 %83 %69 %64 %
62.5 %≈ 70′Tension82 %81 %64 %56 %
67.5 %≈ 76′Tension81 %81 %64 %49 %
72.5 %≈ 81′Tension84 %84 %69 %55 %
77.5 %≈ 87′Tension85 %85 %70 %61 %
82.5 %≈ 92′Tension85 %85 %71 %65 %
87.5 %≈ 98′Tension88 %88 %75 %69 %
92.5 %≈ 104′Tension90 %86 %71 %62 %
97.5 %≈ 109′Relief88 %78 %58 %50 %
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

Kadri — your film companion

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Feeling details appear after at least 3 viewers respond, to protect privacy.

Cast

DM
Dewey Martin

MM
Mary Murphy

RE
Richard Eyer

BF
Bert Freed

BF
Bert Freed

Tom Winston

RC
Ray Collins

Sheriff Masters

Whit Bissell

FBI Agent Carson

RT
Ray Teal

State Police Lt. Fredericks

WB
Walter Baldwin

George Patterson

EC
Edmund Cobb

Mr. Walling

Ann Doran

Mrs. Walling

BG
Beverly Garland

Miss Swift

HK
Helen Kleeb

Miss Wells

RD
Ralph Dumke

Clint

PF
Pat Flaherty

Dutch

Details

Directed by
William Wyler
Written by
Joseph Hayes
Type
Movies
Released
1955
Runtime
112 min
Country
United States of America
Ratings
★ IMDb 7.5 · 11,982 ratings
Feels mostly
Anxiety
Data updated

Where to watch

Also on

Availability varies by country

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.