Touchez Pas au Grisbi
1954 · 95 min · Director: Jacques Becker, Jacques Becker
Show plot summary (may contain spoilers)
Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey -- who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.
Emotional fingerprint
Touchez Pas au Grisbi (1954) — Movie. Top emotional signals: Tension 30%, Anxiety 25%, Satisfaction 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension30%
- Anxiety25%
- Satisfaction20%
- Sadness15%
- Love10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Anxiety, Satisfaction. Genres: Thriller, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Anxiety and Satisfaction. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Sympathy
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sympathy | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 35 % | 11 % | 2 % | 28 % |
| 7.5 % | ≈ 7′ | Humor | 36 % | 13 % | 3 % | 26 % |
| 12.5 % | ≈ 12′ | Curiosity | 39 % | 21 % | 6 % | 33 % |
| 17.5 % | ≈ 17′ | Curiosity | 43 % | 30 % | 13 % | 38 % |
| 22.5 % | ≈ 21′ | Tension | 51 % | 45 % | 15 % | 43 % |
| 27.5 % | ≈ 26′ | Tension | 57 % | 54 % | 16 % | 51 % |
| 32.5 % | ≈ 31′ | Curiosity | 54 % | 45 % | 24 % | 49 % |
| 37.5 % | ≈ 36′ | Sympathy | 49 % | 33 % | 38 % | 32 % |
| 42.5 % | ≈ 40′ | Sympathy | 44 % | 23 % | 35 % | 24 % |
| 47.5 % | ≈ 45′ | Humor | 39 % | 20 % | 16 % | 30 % |
| 52.5 % | ≈ 50′ | Curiosity | 45 % | 34 % | 19 % | 36 % |
| 57.5 % | ≈ 55′ | Tension | 58 % | 53 % | 38 % | 38 % |
| 62.5 % | ≈ 59′ | Tension | 63 % | 61 % | 39 % | 40 % |
| 67.5 % | ≈ 64′ | Tension | 68 % | 66 % | 31 % | 44 % |
| 72.5 % | ≈ 69′ | Tension | 76 % | 74 % | 36 % | 41 % |
| 77.5 % | ≈ 74′ | Tension | 80 % | 79 % | 41 % | 36 % |
| 82.5 % | ≈ 78′ | Tension | 83 % | 83 % | 40 % | 32 % |
| 87.5 % | ≈ 83′ | Tension | 85 % | 84 % | 46 % | 26 % |
| 92.5 % | ≈ 88′ | Tension | 84 % | 69 % | 59 % | 19 % |
| 97.5 % | ≈ 93′ | Sadness | 83 % | 48 % | 68 % | 13 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Touchez Pas au Grisbi. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Madame Bouche
Le portier de l'hôtel Moderna
Bastien
Hughette
Betty
Fifi
Le chauffeur de taxi
Eugène
Nana
Bébert (uncredited)
Details
- Directed by
- Jacques Becker, Jacques Becker
- Written by
- Albert Simonin, Jacques Becker, Maurice Griffe, Jacques Becker
- Type
- Movies
- Released
- 1954
- Runtime
- 95 min
- Country
- France, Italy
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
