Endless Love
1981 · 116 min · Director: Franco Zeffirelli
Show plot summary (may contain spoilers)
As their romance unfolds, Jade and David's growing love for one another becomes the scorn of Jade's father. However, when Jade's grades begin to drop, her father forbids the young couple from seeing each other for 30 days. Driven insane with frustration and desire, David attempts to reverse the decision, with catastrophic results.
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Emotional fingerprint
Endless Love (1981) — Movie. Top emotional signals: Love 35%, Sadness 25%, Anxiety 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love35%
- Sadness25%
- Anxiety15%
- Tension15%
- Anticipation10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Sadness, Anxiety. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Sadness and Anxiety. Its IMDb rating of 5.0/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 55/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Love | 39 % | 0 % | 27 % | 4 % |
| 7.5 % | ≈ 9′ | Humor | 47 % | 1 % | 34 % | 4 % |
| 12.5 % | ≈ 15′ | Love | 51 % | 2 % | 44 % | 5 % |
| 17.5 % | ≈ 20′ | Love | 43 % | 3 % | 36 % | 13 % |
| 22.5 % | ≈ 26′ | Love | 40 % | 3 % | 28 % | 27 % |
| 27.5 % | ≈ 32′ | Love | 53 % | 6 % | 42 % | 30 % |
| 32.5 % | ≈ 38′ | Love | 71 % | 21 % | 57 % | 36 % |
| 37.5 % | ≈ 44′ | Tension | 73 % | 38 % | 44 % | 54 % |
| 42.5 % | ≈ 49′ | Tension | 57 % | 35 % | 25 % | 53 % |
| 47.5 % | ≈ 55′ | Sadness | 56 % | 29 % | 18 % | 51 % |
| 52.5 % | ≈ 61′ | Tension | 75 % | 41 % | 11 % | 63 % |
| 57.5 % | ≈ 67′ | Sadness | 81 % | 62 % | 15 % | 60 % |
| 62.5 % | ≈ 73′ | Sadness | 74 % | 66 % | 28 % | 56 % |
| 67.5 % | ≈ 78′ | Sadness | 66 % | 59 % | 34 % | 48 % |
| 72.5 % | ≈ 84′ | Sadness | 64 % | 55 % | 35 % | 41 % |
| 77.5 % | ≈ 90′ | Sadness | 73 % | 64 % | 32 % | 52 % |
| 82.5 % | ≈ 96′ | Sadness | 84 % | 78 % | 37 % | 55 % |
| 87.5 % | ≈ 102′ | Sadness | 87 % | 78 % | 48 % | 55 % |
| 92.5 % | ≈ 107′ | Tension | 84 % | 68 % | 49 % | 52 % |
| 97.5 % | ≈ 113′ | Love | 81 % | 64 % | 56 % | 32 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Mrs. Switzer
Mr. Switzer
Judge
Sonia
Leonard
Bob Clark
Susan
Stuart
Details
- Directed by
- Franco Zeffirelli
- Written by
- Judith Rascoe, Scott Spencer
- Type
- Movies
- Released
- 1981
- Runtime
- 116 min
- Country
- United States of America
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





