feeldb

Lone Wolf and Cub: Baby Cart in Peril

1972 · 81 min · Director: Buichi Saitō ★ IMDb 7.5 · 5,543 ratings

Show plot summary (may contain spoilers)

Ogami Itto is hired to kill a tattooed female assassin and battles Retsudo, head of the Yagyu clan, and his son Gunbei.

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Emotional fingerprint

Lone Wolf and Cub: Baby Cart in Peril (1972) — Movie. Top emotional signals: Excitement 35%, Tension 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Fear20%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Excitement, Tension, Fear. Genres: Thriller, Adventure, Action. AI estimate.

Is it worth watching?

Consider this title if you are looking for Excitement, Tension and Fear. Its IMDb rating of 7.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Sympathy
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Tension

Dominant emotion: Curiosity

Dominant emotion: Sympathy

Dominant emotion: Disturbing

Dominant emotion: Sadness

Tension
Sympathy
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 18 %, then peaks around 88 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionSympathySadness
2.5 %≈ 2′Tension48 %35 %12 %2 %
7.5 %≈ 6′Curiosity49 %24 %14 %4 %
12.5 %≈ 10′Curiosity50 %21 %28 %18 %
17.5 %≈ 14′Sympathy60 %36 %49 %33 %
22.5 %≈ 18′Tension70 %59 %51 %25 %
27.5 %≈ 22′Tension73 %68 %45 %21 %
32.5 %≈ 26′Disturbing71 %64 %43 %29 %
37.5 %≈ 30′Tension66 %60 %34 %25 %
42.5 %≈ 34′Disturbing59 %54 %25 %16 %
47.5 %≈ 38′Tension56 %48 %28 %15 %
52.5 %≈ 43′Curiosity61 %48 %40 %21 %
57.5 %≈ 47′Disturbing66 %57 %46 %24 %
62.5 %≈ 51′Tension70 %68 %49 %31 %
67.5 %≈ 55′Tension78 %59 %63 %54 %
72.5 %≈ 59′Sadness83 %49 %68 %58 %
77.5 %≈ 63′Tension83 %63 %63 %46 %
82.5 %≈ 67′Sympathy84 %76 %65 %49 %
87.5 %≈ 71′Tension85 %80 %63 %45 %
92.5 %≈ 75′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
97.5 %≈ 79′Tension75 %70 %50 %25 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

TW
Tomisaburō Wakayama

Ogami Itto

YH
Yoichi Hayashi

MA
Michi Azuma

MA
Michi Azuma

Oyuki

AK
Asao Koike

HT
Hiroshi Tanaka

HT
Hiroshi Tanaka

Jûzaemon Kashiwagi

TE
Tatsuo Endō

TE
Tatsuo Endō

Yagyu Retsudo

KS
Kōji Sekiyama

RH
Riki Harada

MO
Michimaro Otabe

Gyokushu

SH
Seishiro Hara

YT
Yūsaku Terashima

YH
Yukio Horikita

TO
Tokio Oki

Lord Owari

KA
Katsutoshi Akiyama

GI
Gō Ibuki

Details

Directed by
Buichi Saitō
Written by
Kazuo Koike
Type
Movies
Released
1972
Runtime
81 min
Country
Japan
Ratings
★ IMDb 7.5 · 5,543 ratings
Feels mostly
Excitement
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.