Lone Wolf and Cub: Baby Cart in Peril
1972 · 81 min · Director: Buichi Saitō
Show plot summary (may contain spoilers)
Ogami Itto is hired to kill a tattooed female assassin and battles Retsudo, head of the Yagyu clan, and his son Gunbei.
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Emotional fingerprint
Lone Wolf and Cub: Baby Cart in Peril (1972) — Movie. Top emotional signals: Excitement 35%, Tension 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement35%
- Tension25%
- Fear20%
- Satisfaction20%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Tension, Fear. Genres: Thriller, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Tension and Fear. Its IMDb rating of 7.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sympathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Sympathy
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sympathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 48 % | 35 % | 12 % | 2 % |
| 7.5 % | ≈ 6′ | Curiosity | 49 % | 24 % | 14 % | 4 % |
| 12.5 % | ≈ 10′ | Curiosity | 50 % | 21 % | 28 % | 18 % |
| 17.5 % | ≈ 14′ | Sympathy | 60 % | 36 % | 49 % | 33 % |
| 22.5 % | ≈ 18′ | Tension | 70 % | 59 % | 51 % | 25 % |
| 27.5 % | ≈ 22′ | Tension | 73 % | 68 % | 45 % | 21 % |
| 32.5 % | ≈ 26′ | Disturbing | 71 % | 64 % | 43 % | 29 % |
| 37.5 % | ≈ 30′ | Tension | 66 % | 60 % | 34 % | 25 % |
| 42.5 % | ≈ 34′ | Disturbing | 59 % | 54 % | 25 % | 16 % |
| 47.5 % | ≈ 38′ | Tension | 56 % | 48 % | 28 % | 15 % |
| 52.5 % | ≈ 43′ | Curiosity | 61 % | 48 % | 40 % | 21 % |
| 57.5 % | ≈ 47′ | Disturbing | 66 % | 57 % | 46 % | 24 % |
| 62.5 % | ≈ 51′ | Tension | 70 % | 68 % | 49 % | 31 % |
| 67.5 % | ≈ 55′ | Tension | 78 % | 59 % | 63 % | 54 % |
| 72.5 % | ≈ 59′ | Sadness | 83 % | 49 % | 68 % | 58 % |
| 77.5 % | ≈ 63′ | Tension | 83 % | 63 % | 63 % | 46 % |
| 82.5 % | ≈ 67′ | Sympathy | 84 % | 76 % | 65 % | 49 % |
| 87.5 % | ≈ 71′ | Tension | 85 % | 80 % | 63 % | 45 % |
| 92.5 % | ≈ 75′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 79′ | Tension | 75 % | 70 % | 50 % | 25 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Oyuki
Gyokushu
Lord Owari
Details
- Directed by
- Buichi Saitō
- Written by
- Kazuo Koike
- Type
- Movies
- Released
- 1972
- Runtime
- 81 min
- Country
- Japan
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





