Pride and Prejudice
1940 · 118 min · Director: Robert Z. Leonard
Show plot summary (may contain spoilers)
In early 19th century England, Mr and Mrs Bennet's five unmarried daughters vie for the affections of rich and eligible Mr Bingley and his status-conscious friend, Mr Darcy, who have moved into their neighbourhood. While Bingley takes an immediate liking to eldest daughter Jane, Darcy has difficulty adapting to local society and repeatedly clashes with second-eldest Elizabeth.
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Emotional fingerprint
Pride and Prejudice (1940) — Movie. Top emotional signals: Love 30%, Humor 25%, Anticipation 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love30%
- Humor25%
- Anticipation20%
- Satisfaction15%
- Joy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Humor, Anticipation. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Humor and Anticipation. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Love
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Love | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 46 % | 45 % | 10 % | 0 % |
| 7.5 % | ≈ 9′ | Humor | 51 % | 50 % | 13 % | 1 % |
| 12.5 % | ≈ 15′ | Humor | 52 % | 50 % | 19 % | 3 % |
| 17.5 % | ≈ 21′ | Humor | 51 % | 46 % | 23 % | 3 % |
| 22.5 % | ≈ 27′ | Humor | 50 % | 46 % | 20 % | 4 % |
| 27.5 % | ≈ 32′ | Humor | 50 % | 48 % | 20 % | 5 % |
| 32.5 % | ≈ 38′ | Humor | 52 % | 50 % | 24 % | 4 % |
| 37.5 % | ≈ 44′ | Humor | 56 % | 54 % | 23 % | 1 % |
| 42.5 % | ≈ 50′ | Humor | 58 % | 55 % | 25 % | 3 % |
| 47.5 % | ≈ 56′ | Humor | 62 % | 57 % | 28 % | 11 % |
| 52.5 % | ≈ 62′ | Humor | 62 % | 52 % | 20 % | 16 % |
| 57.5 % | ≈ 68′ | Sadness | 57 % | 43 % | 16 % | 9 % |
| 62.5 % | ≈ 74′ | Humor | 54 % | 46 % | 18 % | 1 % |
| 67.5 % | ≈ 80′ | Humor | 61 % | 43 % | 26 % | 0 % |
| 72.5 % | ≈ 86′ | Tension | 71 % | 24 % | 35 % | 3 % |
| 77.5 % | ≈ 91′ | Sadness | 70 % | 19 % | 31 % | 6 % |
| 82.5 % | ≈ 97′ | Sadness | 67 % | 31 % | 26 % | 21 % |
| 87.5 % | ≈ 103′ | Relief | 66 % | 44 % | 23 % | 39 % |
| 92.5 % | ≈ 109′ | Tension | 69 % | 48 % | 36 % | 44 % |
| 97.5 % | ≈ 115′ | Love | 77 % | 50 % | 62 % | 53 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Mr. George Wickham
Mr. Denny
Lady Lucas
Mr. Bingley
Anne de Bourgh
Committeeman
Details
- Directed by
- Robert Z. Leonard
- Written by
- Jane Austen, Aldous Huxley, Jane Murfin
- Type
- Movies
- Released
- 1940
- Runtime
- 118 min
- Country
- United States of America
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





