Happy Easter
1984 · 94 min · Director: Georges Lautner
Show plot summary (may contain spoilers)
Chronic serial womanizer Stephane Margelle drops his wife Sophie off at the airport so she can go away for Easter weekend. He immediately picks up beautiful young Julie, who has just had a fight with her married boyfriend. He gets her back to his apartment and is preparing for a sexy weekend, when his wife suddenly returns home. He makes up a bizarre, on-the-spot, spur-of-the-moment story that the gorgeous girl is actually his long-lost daughter. Julie plays along, but this leads to a whole series of increasingly ridiculous lies and comical situations (such as when her real mother shows up).
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Emotional fingerprint
Happy Easter (1984) — Movie. Top emotional signals: Humor 40%, Surprise 20%, Anxiety 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor40%
- Surprise20%
- Anxiety15%
- Smile15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Surprise, Anxiety. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Surprise and Anxiety. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 37 % | 32 % | 22 % | 25 % |
| 7.5 % | ≈ 7′ | Humor | 40 % | 35 % | 23 % | 26 % |
| 12.5 % | ≈ 12′ | Humor | 43 % | 39 % | 20 % | 29 % |
| 17.5 % | ≈ 16′ | Humor | 45 % | 43 % | 23 % | 31 % |
| 22.5 % | ≈ 21′ | Humor | 56 % | 52 % | 36 % | 36 % |
| 27.5 % | ≈ 26′ | Humor | 68 % | 63 % | 45 % | 41 % |
| 32.5 % | ≈ 31′ | Humor | 66 % | 63 % | 41 % | 39 % |
| 37.5 % | ≈ 35′ | Humor | 61 % | 59 % | 36 % | 34 % |
| 42.5 % | ≈ 40′ | Humor | 60 % | 56 % | 36 % | 34 % |
| 47.5 % | ≈ 45′ | Humor | 60 % | 55 % | 38 % | 35 % |
| 52.5 % | ≈ 49′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 57.5 % | ≈ 54′ | Humor | 52 % | 47 % | 30 % | 32 % |
| 62.5 % | ≈ 59′ | Humor | 56 % | 51 % | 32 % | 34 % |
| 67.5 % | ≈ 63′ | Humor | 59 % | 54 % | 35 % | 32 % |
| 72.5 % | ≈ 68′ | Humor | 56 % | 51 % | 36 % | 29 % |
| 77.5 % | ≈ 73′ | Humor | 54 % | 49 % | 35 % | 28 % |
| 82.5 % | ≈ 78′ | Humor | 55 % | 49 % | 35 % | 30 % |
| 87.5 % | ≈ 82′ | Humor | 61 % | 54 % | 44 % | 33 % |
| 92.5 % | ≈ 87′ | Humor | 65 % | 59 % | 49 % | 30 % |
| 97.5 % | ≈ 92′ | Humor | 67 % | 62 % | 48 % | 28 % |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Le médecin
Le belle nageuse
L'interne de l'hôpital
M. Delarue, un invité
Mme Delarue
Details
- Directed by
- Georges Lautner
- Written by
- Jean Poiret, Georges Lautner
- Type
- Movies
- Released
- 1984
- Runtime
- 94 min
- Country
- France
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





