feeldb

Female Prisoner #701: Scorpion

1972 · 87 min · Director: Shunya Ito ★ IMDb 7.2 · 5,804 ratings

Show plot summary (may contain spoilers)

After being cruelly set up and deceived by Sugimi, a detective in cahoots with the mob with whom she was whole-heartedly in love, Matsushima’s desire for revenge knows no bounds.

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Emotional fingerprint

Female Prisoner #701: Scorpion (1972) — Movie. Top emotional signals: Anger 35%, Tension 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

35%Anger
  1. Anger35%
  2. Relief10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Anger, Tension, Anxiety. Genres: Thriller, Crime, Action. AI estimate.

Is it worth watching?

Consider this title if you are looking for Anger, Tension and Anxiety. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Disturbing
  • Sympathy

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Tension

Dominant emotion: Sympathy

Dominant emotion: Disturbing

Dominant emotion: Anger

Tension
Disturbing
Sympathy
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 8 %, then rises around 57 %, then peaks around 78 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionDisturbingSympathy
2.5 %≈ 2′Tension65 %62 %25 %32 %
7.5 %≈ 7′Tension64 %56 %34 %43 %
12.5 %≈ 11′Sympathy68 %57 %50 %59 %
17.5 %≈ 15′Sympathy70 %61 %59 %64 %
22.5 %≈ 20′Sympathy68 %60 %59 %57 %
27.5 %≈ 24′Disturbing69 %61 %60 %51 %
32.5 %≈ 28′Anger68 %61 %53 %40 %
37.5 %≈ 33′Tension70 %65 %50 %39 %
42.5 %≈ 37′Anger71 %64 %55 %50 %
47.5 %≈ 41′Sympathy65 %54 %55 %53 %
52.5 %≈ 46′Disturbing69 %57 %63 %54 %
57.5 %≈ 50′Disturbing81 %71 %76 %69 %
62.5 %≈ 54′Sympathy89 %80 %79 %81 %
67.5 %≈ 59′Sympathy88 %83 %70 %70 %
72.5 %≈ 63′Tension86 %83 %73 %59 %
77.5 %≈ 67′Disturbing89 %84 %83 %64 %
82.5 %≈ 72′Tension88 %81 %81 %58 %
87.5 %≈ 76′Disturbing85 %78 %71 %45 %
92.5 %≈ 80′Tension85 %80 %60 %42 %
97.5 %≈ 85′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

MK
Meiko Kaji

RY
Rie Yokoyama

IN
Isao Natsuyagi

IN
Isao Natsuyagi

Sugimi

YW
Yayoi Watanabe

YM
Yōko Mihara

YK
Yumiko Katayama

KK
Keiko Kuni

EJ
Emi Jo

Morikawa

SM
Sue Mitobe

Imune

CK
Chie Kobayashi

Dobashi

RY
Rie Yuki

Tatsuno

SD
Saburo Date

Kaizutoshi

SH
Shinzō Hotta

Furuya

YN
Yōichi Numata

Soga

TK
Takeo Kamura

SH
Shiro Hisano

TH
Takashi Hio

Takenaka

Details

Directed by
Shunya Ito
Written by
Hirō Matsuda, Fumio Kōnami
Type
Movies
Released
1972
Runtime
87 min
Country
Japan
Ratings
★ IMDb 7.2 · 5,804 ratings
Feels mostly
Anger
Data updated

Where to watch

Also on

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Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.