The Hawks and the Sparrows
1966 · 90 min · Director: Pier Paolo Pasolini
Show plot summary (may contain spoilers)
A man and his son take an allegorical stroll through life with a talking bird that spouts social and political philosophy.
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Emotional fingerprint
The Hawks and the Sparrows (1966) — Movie. Top emotional signals: Humor 35%, Confusion 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Confusion25%
- Empathy20%
- Melancholy20%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Confusion, Empathy. Genres: Comedy, Fantasy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Confusion and Empathy. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Curiosity
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Curiosity
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Curiosity | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 33 % | 33 % | 22 % | 3 % |
| 7.5 % | ≈ 7′ | Humor | 39 % | 34 % | 25 % | 10 % |
| 12.5 % | ≈ 11′ | Sadness | 45 % | 34 % | 34 % | 23 % |
| 17.5 % | ≈ 16′ | Curiosity | 46 % | 38 % | 43 % | 21 % |
| 22.5 % | ≈ 20′ | Curiosity | 44 % | 40 % | 43 % | 11 % |
| 27.5 % | ≈ 25′ | Humor | 46 % | 44 % | 40 % | 9 % |
| 32.5 % | ≈ 29′ | Humor | 50 % | 48 % | 38 % | 9 % |
| 37.5 % | ≈ 34′ | Humor | 46 % | 45 % | 30 % | 4 % |
| 42.5 % | ≈ 38′ | Humor | 44 % | 44 % | 28 % | 4 % |
| 47.5 % | ≈ 43′ | Humor | 48 % | 41 % | 34 % | 18 % |
| 52.5 % | ≈ 47′ | Hope | 51 % | 38 % | 33 % | 25 % |
| 57.5 % | ≈ 52′ | Humor | 57 % | 35 % | 23 % | 29 % |
| 62.5 % | ≈ 56′ | Sadness | 61 % | 33 % | 20 % | 35 % |
| 67.5 % | ≈ 61′ | Humor | 55 % | 39 % | 25 % | 24 % |
| 72.5 % | ≈ 65′ | Humor | 50 % | 44 % | 26 % | 21 % |
| 77.5 % | ≈ 70′ | Humor | 50 % | 38 % | 24 % | 35 % |
| 82.5 % | ≈ 74′ | Sadness | 48 % | 29 % | 23 % | 39 % |
| 87.5 % | ≈ 79′ | Sadness | 44 % | 31 % | 23 % | 30 % |
| 92.5 % | ≈ 83′ | Humor | 49 % | 40 % | 23 % | 28 % |
| 97.5 % | ≈ 88′ | Sadness | 58 % | 42 % | 23 % | 40 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Incensurato
Il Contadino Affamato
Ciro Lococo
Party Guest (uncredited)
Dante's Dentist (uncredited)
(uncredited)
Mascalzone (uncredited)
Ninetto's Girlfriend (uncredited)
(uncredited)
Crow (voice) (uncredited)
The Balladeer (voice) (uncredited)
Details
- Directed by
- Pier Paolo Pasolini
- Written by
- Pier Paolo Pasolini
- Type
- Movies
- Released
- 1966
- Runtime
- 90 min
- Country
- Italy
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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