Emotional fingerprint
Blackout (2022) — Movie. Top emotional signals: Tension 35%, Anxiety 25%, Excitement 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension35%
- Anxiety25%
- Excitement15%
- Confusion15%
- Surprise10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Anxiety, Excitement. Genres: Thriller, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Anxiety and Excitement. Its IMDb rating of 3.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 54/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Excitement
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Excitement
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Excitement |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 58 % | 52 % | 62 % | 13 % |
| 7.5 % | ≈ 6′ | Curiosity | 60 % | 54 % | 63 % | 16 % |
| 12.5 % | ≈ 10′ | Tension | 69 % | 66 % | 60 % | 31 % |
| 17.5 % | ≈ 14′ | Tension | 74 % | 73 % | 60 % | 41 % |
| 22.5 % | ≈ 18′ | Curiosity | 69 % | 66 % | 55 % | 41 % |
| 27.5 % | ≈ 22′ | Excitement | 66 % | 65 % | 41 % | 49 % |
| 32.5 % | ≈ 26′ | Tension | 68 % | 66 % | 46 % | 45 % |
| 37.5 % | ≈ 30′ | Curiosity | 65 % | 63 % | 63 % | 29 % |
| 42.5 % | ≈ 34′ | Curiosity | 65 % | 64 % | 63 % | 30 % |
| 47.5 % | ≈ 38′ | Tension | 73 % | 74 % | 49 % | 44 % |
| 52.5 % | ≈ 43′ | Tension | 76 % | 79 % | 43 % | 48 % |
| 57.5 % | ≈ 47′ | Tension | 71 % | 73 % | 55 % | 41 % |
| 62.5 % | ≈ 51′ | Curiosity | 64 % | 63 % | 61 % | 36 % |
| 67.5 % | ≈ 55′ | Tension | 65 % | 63 % | 54 % | 36 % |
| 72.5 % | ≈ 59′ | Tension | 78 % | 78 % | 49 % | 41 % |
| 77.5 % | ≈ 63′ | Tension | 85 % | 86 % | 45 % | 54 % |
| 82.5 % | ≈ 67′ | Excitement | 84 % | 83 % | 49 % | 60 % |
| 87.5 % | ≈ 71′ | Tension | 76 % | 73 % | 49 % | 48 % |
| 92.5 % | ≈ 75′ | Relief | 67 % | 60 % | 35 % | 37 % |
| 97.5 % | ≈ 79′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Blackout. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
The General
Miguel
Details
- Directed by
- Sam Macaroni
- Written by
- Van B. Nguyen
- Type
- Movies
- Released
- 2022
- Runtime
- 81 min
- Country
- United States of America
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
