One Fine Morning
2022 · 112 min · Director: Mia Hansen-Løve
Show plot summary (may contain spoilers)
With a father suffering from neurodegenerative disease, a young woman lives with her eight-year-old daughter. While struggling to secure a decent nursing home, she runs into an unavailable friend with whom she embarks on an affair.
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Emotional fingerprint
One Fine Morning (2022) — Movie. Top emotional signals: Empathy 30%, Melancholy 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Melancholy25%
- Love20%
- Sadness15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Melancholy, Love. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Melancholy and Love. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Empathy | 47 % | 32 % | 17 % | 47 % |
| 7.5 % | ≈ 8′ | Sadness | 48 % | 38 % | 19 % | 46 % |
| 12.5 % | ≈ 14′ | Sadness | 53 % | 44 % | 24 % | 49 % |
| 17.5 % | ≈ 20′ | Sadness | 50 % | 34 % | 26 % | 40 % |
| 22.5 % | ≈ 25′ | Humor | 49 % | 16 % | 31 % | 24 % |
| 27.5 % | ≈ 31′ | Love | 59 % | 20 % | 49 % | 28 % |
| 32.5 % | ≈ 36′ | Love | 63 % | 34 % | 57 % | 40 % |
| 37.5 % | ≈ 42′ | Love | 57 % | 38 % | 50 % | 41 % |
| 42.5 % | ≈ 48′ | Sadness | 58 % | 41 % | 48 % | 45 % |
| 47.5 % | ≈ 53′ | Love | 61 % | 46 % | 53 % | 49 % |
| 52.5 % | ≈ 59′ | Love | 63 % | 50 % | 44 % | 50 % |
| 57.5 % | ≈ 64′ | Sadness | 64 % | 49 % | 36 % | 51 % |
| 62.5 % | ≈ 70′ | Love | 69 % | 51 % | 45 % | 54 % |
| 67.5 % | ≈ 76′ | Sadness | 74 % | 65 % | 40 % | 64 % |
| 72.5 % | ≈ 81′ | Sadness | 71 % | 68 % | 29 % | 65 % |
| 77.5 % | ≈ 87′ | Sadness | 69 % | 65 % | 26 % | 61 % |
| 82.5 % | ≈ 92′ | Sadness | 68 % | 56 % | 25 % | 53 % |
| 87.5 % | ≈ 98′ | Humor | 64 % | 38 % | 36 % | 39 % |
| 92.5 % | ≈ 104′ | Love | 68 % | 43 % | 56 % | 46 % |
| 97.5 % | ≈ 109′ | Love | 73 % | 58 % | 65 % | 58 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Soeur de Georg
Mari d'Elodie
Enfant d'Elodie
Enfant d'Elodie
Ancienne élève
Collègue interprète
Collègue interprète
Vétéran Omaha
Médecin Georg
Infirmière Hôtel-Dieu
Chef de service Bretonneau
Details
- Directed by
- Mia Hansen-Løve
- Written by
- Mia Hansen-Løve
- Type
- Movies
- Released
- 2022
- Runtime
- 112 min
- Country
- France, Germany, United Kingdom
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





