feeldb

The Burmese Harp

1956 · 117 min · Director: Kon Ichikawa ★ IMDb 8 · 7,349 ratings

Show plot summary (may contain spoilers)

In Burma during the closing days of WWII, a Japanese soldier separated from his unit disguises himself as a Buddhist monk to escape imprisonment as a POW.

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Emotional fingerprint

The Burmese Harp (1956) — Movie. Top emotional signals: Sadness 30%, Empathy 25%, Inspiration 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Hope15%
  2. Relief10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Sadness, Empathy, Inspiration. Genres: Drama, War. AI estimate.

Is it worth watching?

Consider this title if you are looking for Sadness, Empathy and Inspiration. Its IMDb rating of 8.0/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 73/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Sadness
  • Empathy
  • Tension

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Sadness

Dominant emotion: Tension

Dominant emotion: Curiosity

Dominant emotion: Hope

Dominant emotion: Empathy

Sadness
Empathy
Tension
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 18 %, then dips around 43 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensitySadnessEmpathyTension
2.5 %≈ 3′Sadness50 %43 %32 %22 %
7.5 %≈ 9′Tension55 %26 %28 %43 %
12.5 %≈ 15′Tension73 %30 %36 %64 %
17.5 %≈ 20′Sadness78 %48 %53 %63 %
22.5 %≈ 26′Tension75 %43 %56 %68 %
27.5 %≈ 32′Tension73 %40 %54 %69 %
32.5 %≈ 38′Sadness61 %49 %51 %44 %
37.5 %≈ 44′Sadness56 %55 %49 %24 %
42.5 %≈ 50′Sadness55 %55 %43 %18 %
47.5 %≈ 56′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
52.5 %≈ 61′Sadness67 %63 %65 %13 %
57.5 %≈ 67′Sadness68 %57 %58 %20 %
62.5 %≈ 73′Curiosity66 %46 %49 %26 %
67.5 %≈ 79′Hope68 %51 %59 %23 %
72.5 %≈ 85′Empathy74 %54 %66 %19 %
77.5 %≈ 91′Hope75 %43 %59 %25 %
82.5 %≈ 97′Hope71 %49 %60 %32 %
87.5 %≈ 102′Sadness75 %69 %70 %30 %
92.5 %≈ 108′Sadness83 %80 %79 %16 %
97.5 %≈ 114′Sadness85 %83 %82 %7 %
Oedipus

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

SY
Shōji Yasui

JH
Jun Hamamura

JH
Jun Hamamura

Ito

TN
Taketoshi Naitō

Kobayashi

SK
Shunji Kasuga

SK
Shunji Kasuga

Maki

KN
Kō Nishimura

KN
Kō Nishimura

Baba

KN
Keishichi Nakahara

TI
Toshiaki Itō

HT
Hiroshi Tsuchikata

TA
Tomio Aoki

NH
Nobuteru Hanamura

Nakamura

SM
Sanpei Mine

Abe

TK
Takashi Koshiba

Shimizu

TM
Tokuhei Miyahara

Nagai

MN
Masahiko Naruse

BM
Bin Moritsuka

KS
Kunitaro Sawamura

EN
Eiji Nakamura

AS
Asao Sano

SO
Shojiro Ogasawara

Details

Directed by
Kon Ichikawa
Written by
Natto Wada, Michio Takeyama
Type
Movies
Released
1956
Runtime
117 min
Country
Japan
Genres
Drama, War
Ratings
★ IMDb 8 · 7,349 ratings
Feels mostly
Sadness
Data updated

Where to watch

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Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.