The Visitors: Bastille Day
2016 · 110 min · Director: Jean-Marie Poiré
Show plot summary (may contain spoilers)
Stuck in the corridors of time, Godefroy de Montmirail and his faithful servant Jacquouille are projected to a time of profound political and social upheavals: the French Revolution... specifically, The Terror, time of great dangers, during which the descendants of Godefroy and Jacquouille had their castle and all their property confiscated by arrogant aristocrats, fleeing and lifes hanging by a thread.
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Emotional fingerprint
The Visitors: Bastille Day (2016) — Movie. Top emotional signals: Humor 40%, Surprise 20%, Joy 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor40%
- Surprise20%
- Joy15%
- Excitement15%
- Anticipation10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Surprise, Joy. Genres: Comedy, Fantasy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Surprise and Joy. Its IMDb rating of 4.6/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 55/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 57 % | 43 % | 47 % | 42 % |
| 7.5 % | ≈ 8′ | Humor | 56 % | 50 % | 44 % | 36 % |
| 12.5 % | ≈ 14′ | Humor | 54 % | 51 % | 41 % | 29 % |
| 17.5 % | ≈ 19′ | Humor | 55 % | 51 % | 43 % | 24 % |
| 22.5 % | ≈ 25′ | Humor | 60 % | 54 % | 43 % | 21 % |
| 27.5 % | ≈ 30′ | Humor | 63 % | 57 % | 36 % | 18 % |
| 32.5 % | ≈ 36′ | Humor | 60 % | 59 % | 38 % | 16 % |
| 37.5 % | ≈ 41′ | Humor | 58 % | 58 % | 44 % | 20 % |
| 42.5 % | ≈ 47′ | Humor | 57 % | 57 % | 43 % | 24 % |
| 47.5 % | ≈ 52′ | Humor | 58 % | 58 % | 34 % | 23 % |
| 52.5 % | ≈ 58′ | Humor | 60 % | 59 % | 30 % | 21 % |
| 57.5 % | ≈ 63′ | Humor | 59 % | 56 % | 36 % | 24 % |
| 62.5 % | ≈ 69′ | Humor | 54 % | 53 % | 36 % | 23 % |
| 67.5 % | ≈ 74′ | Humor | 55 % | 55 % | 35 % | 21 % |
| 72.5 % | ≈ 80′ | Humor | 59 % | 59 % | 43 % | 24 % |
| 77.5 % | ≈ 85′ | Humor | 61 % | 60 % | 46 % | 30 % |
| 82.5 % | ≈ 91′ | Humor | 64 % | 55 % | 49 % | 41 % |
| 87.5 % | ≈ 96′ | Tension | 66 % | 50 % | 56 % | 49 % |
| 92.5 % | ≈ 102′ | Humor | 60 % | 49 % | 46 % | 39 % |
| 97.5 % | ≈ 107′ | Humor | 48 % | 45 % | 25 % | 20 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Saint Just
Élise
Details
- Directed by
- Jean-Marie Poiré
- Written by
- Jean-Marie Poiré, Christian Clavier
- Type
- Movies
- Released
- 2016
- Runtime
- 110 min
- Country
- France
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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