The Flight of the Phoenix
1965 · 142 min · Director: Robert Aldrich
Show plot summary (may contain spoilers)
A cargo aircraft crashes in a sandstorm in the Sahara with less than a dozen men on board. One of the passengers is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for a replacement aircraft they need to build before their food and water run out.
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Emotional fingerprint
The Flight of the Phoenix (1965) — Movie. Top emotional signals: Anxiety 30%, Excitement 25%, Hope 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety30%
- Excitement25%
- Hope20%
- Tension15%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Excitement, Hope. Genres: Drama, Adventure. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Excitement and Hope. Its IMDb rating of 7.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Relief
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Relief | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Tension | 49 % | 48 % | 2 % | 4 % |
| 7.5 % | ≈ 11′ | Tension | 62 % | 59 % | 6 % | 9 % |
| 12.5 % | ≈ 18′ | Tension | 57 % | 53 % | 10 % | 18 % |
| 17.5 % | ≈ 25′ | Tension | 56 % | 53 % | 6 % | 24 % |
| 22.5 % | ≈ 32′ | Tension | 62 % | 57 % | 2 % | 23 % |
| 27.5 % | ≈ 39′ | Sadness | 61 % | 54 % | 2 % | 21 % |
| 32.5 % | ≈ 46′ | Tension | 59 % | 54 % | 6 % | 27 % |
| 37.5 % | ≈ 53′ | Tension | 60 % | 57 % | 7 % | 34 % |
| 42.5 % | ≈ 60′ | Tension | 56 % | 52 % | 6 % | 34 % |
| 47.5 % | ≈ 67′ | Hope | 46 % | 39 % | 6 % | 28 % |
| 52.5 % | ≈ 75′ | Sadness | 51 % | 44 % | 4 % | 18 % |
| 57.5 % | ≈ 82′ | Tension | 64 % | 53 % | 10 % | 21 % |
| 62.5 % | ≈ 89′ | Hope | 62 % | 47 % | 20 % | 39 % |
| 67.5 % | ≈ 96′ | Tension | 61 % | 51 % | 13 % | 33 % |
| 72.5 % | ≈ 103′ | Tension | 63 % | 60 % | 3 % | 18 % |
| 77.5 % | ≈ 110′ | Tension | 63 % | 61 % | 1 % | 16 % |
| 82.5 % | ≈ 117′ | Tension | 67 % | 64 % | 3 % | 20 % |
| 87.5 % | ≈ 124′ | Tension | 72 % | 69 % | 22 % | 36 % |
| 92.5 % | ≈ 131′ | Tension | 83 % | 65 % | 58 % | 56 % |
| 97.5 % | ≈ 138′ | Relief | 91 % | 48 % | 82 % | 63 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Carlos
Tasso
Bill
Farida
Arab Singer (voice) (uncredited)
Details
- Directed by
- Robert Aldrich
- Written by
- Lukas Heller, Trevor Dudley-Smith
- Type
- Movies
- Released
- 1965
- Runtime
- 142 min
- Country
- United States of America
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





