feeldb

The Mirror Crack'd

1980 · 105 min · Director: Guy Hamilton ★ IMDb 6.2 · 11,541 ratings

Show plot summary (may contain spoilers)

Jane Marple solves the mystery when a local woman is poisoned and a visiting movie star seems to have been the intended victim.

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Emotional fingerprint

The Mirror Crack'd (1980) — Movie. Top emotional signals: Curiosity 30%, Tension 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Curiosity, Tension, Anxiety. Genres: Thriller, Mystery, Crime. AI estimate.

Is it worth watching?

Consider this title if you are looking for Curiosity, Tension and Anxiety. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.

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Emotional journey

AI · from subtitles
  • Curiosity
  • Tension
  • Humor

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Humor

Dominant emotion: Tension

Dominant emotion: Sadness

Curiosity
Tension
Humor
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 13 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityCuriosityTensionHumor
2.5 %≈ 3′Curiosity50 %55 %23 %20 %
7.5 %≈ 8′Curiosity44 %43 %14 %25 %
12.5 %≈ 13′Humor41 %28 %8 %31 %
17.5 %≈ 18′Humor48 %25 %11 %45 %
22.5 %≈ 24′Humor55 %35 %21 %55 %
27.5 %≈ 29′Curiosity58 %53 %32 %44 %
32.5 %≈ 34′Curiosity60 %68 %39 %28 %
37.5 %≈ 39′Curiosity63 %66 %35 %34 %
42.5 %≈ 45′Humor61 %57 %33 %46 %
47.5 %≈ 50′Curiosity55 %53 %36 %40 %
52.5 %≈ 55′Humor49 %49 %35 %36 %
57.5 %≈ 60′Curiosity51 %51 %33 %46 %
62.5 %≈ 66′Humor58 %57 %38 %48 %
67.5 %≈ 71′Curiosity63 %61 %53 %33 %
72.5 %≈ 76′Tension69 %64 %68 %18 %
77.5 %≈ 81′Tension74 %71 %71 %11 %
82.5 %≈ 87′Curiosity71 %75 %66 %11 %
87.5 %≈ 92′Curiosity70 %74 %63 %9 %
92.5 %≈ 97′Curiosity78 %75 %61 %4 %
97.5 %≈ 102′Sadness83 %72 %60 %3 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

Angela Lansbury

Miss Marple

Geraldine Chaplin

Ella Zielinsky

Edward Fox

Inspector Craddock

Elizabeth Taylor

Marina Rudd

WM
Wendy Morgan

WM
Wendy Morgan

Cherry

MC
Margaret Courtenay

MB
Maureen Bennett

Heather Babcock

CP
Carolyn Pickles

Miss Giles

ED
Eric Dodson

The Major

RP
Richard Pearson

Doctor Haydock

TW
Thick Wilson

The Mayor

PN
Pat Nye

Mayoress

PW
Peter Woodthorpe

Scout Master

MO
Marella Oppenheim

Margot Bence

AS
Anthony Steel

Sir Derek Ridgeley ("Murder at Midnight")

Details

Directed by
Guy Hamilton
Written by
Agatha Christie, Jonathan Hales, Barry Sandler
Type
Movies
Released
1980
Runtime
105 min
Country
United Kingdom
Ratings
★ IMDb 6.2 · 11,541 ratings
Feels mostly
Curiosity
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.