Night and the City
1950 · 95 min · Director: Jules Dassin
Show plot summary (may contain spoilers)
Londoner Harry Fabian is a second-rate con man looking for an angle. After years of putting up with Harry's schemes, his girlfriend, Mary, becomes fed up when he taps her for yet another loan.
Emotional fingerprint
Night and the City (1950) — Movie. Top emotional signals: Anxiety 35%, Tension 25%, Sadness 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Tension, Sadness. Genres: Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Tension and Sadness. Its IMDb rating of 7.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sympathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Sympathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sympathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 40 % | 28 % | 23 % | 13 % |
| 7.5 % | ≈ 7′ | Curiosity | 39 % | 25 % | 23 % | 14 % |
| 12.5 % | ≈ 12′ | Curiosity | 40 % | 25 % | 16 % | 9 % |
| 17.5 % | ≈ 17′ | Curiosity | 46 % | 30 % | 18 % | 6 % |
| 22.5 % | ≈ 21′ | Curiosity | 48 % | 31 % | 26 % | 11 % |
| 27.5 % | ≈ 26′ | Curiosity | 44 % | 32 % | 26 % | 15 % |
| 32.5 % | ≈ 31′ | Curiosity | 43 % | 35 % | 20 % | 13 % |
| 37.5 % | ≈ 36′ | Curiosity | 48 % | 41 % | 20 % | 10 % |
| 42.5 % | ≈ 40′ | Tension | 58 % | 55 % | 24 % | 13 % |
| 47.5 % | ≈ 45′ | Tension | 59 % | 59 % | 23 % | 14 % |
| 52.5 % | ≈ 50′ | Tension | 60 % | 60 % | 23 % | 14 % |
| 57.5 % | ≈ 55′ | Tension | 71 % | 70 % | 34 % | 25 % |
| 62.5 % | ≈ 59′ | Tension | 80 % | 78 % | 49 % | 38 % |
| 67.5 % | ≈ 64′ | Tension | 86 % | 80 % | 63 % | 50 % |
| 72.5 % | ≈ 69′ | Sadness | 88 % | 76 % | 64 % | 61 % |
| 77.5 % | ≈ 74′ | Tension | 83 % | 75 % | 45 % | 45 % |
| 82.5 % | ≈ 78′ | Tension | 79 % | 76 % | 36 % | 31 % |
| 87.5 % | ≈ 83′ | Tension | 77 % | 69 % | 53 % | 50 % |
| 92.5 % | ≈ 88′ | Sympathy | 81 % | 65 % | 74 % | 73 % |
| 97.5 % | ≈ 93′ | Sadness | 87 % | 72 % | 83 % | 82 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Nikolas
Young Policeman (uncredited)
Policeman (uncredited)
Bert, Street Musician (uncredited)
Nightclub Hostess (uncredited)
Policeman (uncredited)
Nightclub Hostess (uncredited)
Details
- Directed by
- Jules Dassin
- Written by
- Gerald Kersh, Jo Eisinger, Austin Dempster, William E. Watts
- Type
- Movies
- Released
- 1950
- Runtime
- 95 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Subscription
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