Where the Sidewalk Ends
1950 · 95 min · Director: Otto Preminger
Show plot summary (may contain spoilers)
A police detective's violent nature keeps him from being a good cop.
Emotional fingerprint
Where the Sidewalk Ends (1950) — Movie. Top emotional signals: Anxiety 30%, Anger 25%, Guilt 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Anger, Guilt. Genres: Thriller, Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Anger and Guilt. Its IMDb rating of 7.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Sympathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion: Hope
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sympathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 33 % | 32 % | 7 % | 3 % |
| 7.5 % | ≈ 7′ | Tension | 38 % | 37 % | 11 % | 5 % |
| 12.5 % | ≈ 12′ | Tension | 52 % | 51 % | 21 % | 13 % |
| 17.5 % | ≈ 17′ | Tension | 61 % | 60 % | 24 % | 18 % |
| 22.5 % | ≈ 21′ | Tension | 57 % | 56 % | 18 % | 12 % |
| 27.5 % | ≈ 26′ | Tension | 49 % | 47 % | 17 % | 8 % |
| 32.5 % | ≈ 31′ | Sympathy | 42 % | 39 % | 27 % | 12 % |
| 37.5 % | ≈ 36′ | Sympathy | 40 % | 29 % | 31 % | 13 % |
| 42.5 % | ≈ 40′ | Hope | 44 % | 28 % | 28 % | 11 % |
| 47.5 % | ≈ 45′ | Tension | 52 % | 44 % | 30 % | 14 % |
| 52.5 % | ≈ 50′ | Tension | 61 % | 59 % | 41 % | 21 % |
| 57.5 % | ≈ 55′ | Tension | 69 % | 66 % | 48 % | 27 % |
| 62.5 % | ≈ 59′ | Tension | 70 % | 62 % | 48 % | 28 % |
| 67.5 % | ≈ 64′ | Sympathy | 62 % | 47 % | 49 % | 30 % |
| 72.5 % | ≈ 69′ | Sympathy | 62 % | 47 % | 54 % | 38 % |
| 77.5 % | ≈ 74′ | Sympathy | 69 % | 59 % | 55 % | 41 % |
| 82.5 % | ≈ 78′ | Tension | 74 % | 67 % | 53 % | 42 % |
| 87.5 % | ≈ 83′ | Sympathy | 79 % | 74 % | 58 % | 43 % |
| 92.5 % | ≈ 88′ | Tension | 83 % | 73 % | 63 % | 40 % |
| 97.5 % | ≈ 93′ | Relief | 80 % | 61 % | 63 % | 39 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Where the Sidewalk Ends. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Detective Gertessen (uncredited)
Detective (uncredited)
Det. Ted Benson, 16th Precinct (uncredited)
Willie Bender (uncredited)
Hoodlum (uncredited)
Details
- Directed by
- Otto Preminger
- Type
- Movies
- Released
- 1950
- Runtime
- 95 min
- Country
- United States of America
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Feels similar
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