The Offering
2022 · 93 min · Director: Oliver Park
Show plot summary (may contain spoilers)
In the wake of a young Jewish girl’s disappearance, the son of a Hasidic funeral director returns home with his pregnant wife in hopes of reconciling with his father. Little do they know that directly beneath them in the family morgue, an ancient evil with sinister plans for the unborn child lurks inside a mysterious corpse.
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Emotional fingerprint
The Offering (2022) — Movie. Top emotional signals: Fear 35%, Disturbing 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Fear35%
- Disturbing25%
- Anxiety20%
- Sadness10%
- Tension10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Disturbing, Anxiety. Genres: Drama, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Disturbing and Anxiety. Its IMDb rating of 5.3/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 58/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Fear
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Fear | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 63 % | 56 % | 43 % | 42 % |
| 7.5 % | ≈ 7′ | Empathy | 50 % | 37 % | 19 % | 20 % |
| 12.5 % | ≈ 12′ | Empathy | 44 % | 28 % | 11 % | 14 % |
| 17.5 % | ≈ 16′ | Sadness | 42 % | 29 % | 15 % | 16 % |
| 22.5 % | ≈ 21′ | Empathy | 40 % | 31 % | 19 % | 17 % |
| 27.5 % | ≈ 26′ | Tension | 39 % | 34 % | 22 % | 23 % |
| 32.5 % | ≈ 30′ | Sadness | 42 % | 39 % | 14 % | 19 % |
| 37.5 % | ≈ 35′ | Tension | 59 % | 45 % | 6 % | 14 % |
| 42.5 % | ≈ 40′ | Sadness | 74 % | 38 % | 7 % | 16 % |
| 47.5 % | ≈ 44′ | Sadness | 74 % | 36 % | 19 % | 20 % |
| 52.5 % | ≈ 49′ | Tension | 67 % | 52 % | 40 % | 37 % |
| 57.5 % | ≈ 53′ | Disturbing | 68 % | 64 % | 57 % | 58 % |
| 62.5 % | ≈ 58′ | Disturbing | 77 % | 74 % | 69 % | 73 % |
| 67.5 % | ≈ 63′ | Disturbing | 85 % | 83 % | 78 % | 80 % |
| 72.5 % | ≈ 67′ | Tension | 89 % | 87 % | 81 % | 81 % |
| 77.5 % | ≈ 72′ | Tension | 90 % | 88 % | 81 % | 79 % |
| 82.5 % | ≈ 77′ | Tension | 91 % | 89 % | 81 % | 73 % |
| 87.5 % | ≈ 81′ | Tension | 89 % | 87 % | 77 % | 64 % |
| 92.5 % | ≈ 86′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 91′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Sarah Scheindal
Aida
Levi Siegelman
Chana
Shmuel
Abyzou
Worker
Girl in Window
Rabbi
Details
- Directed by
- Oliver Park
- Written by
- Hank Hoffman, Jonathan Yunger, Jonathan Yunger
- Type
- Movies
- Released
- 2022
- Runtime
- 93 min
- Country
- United States of America
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Rent
Data: JustWatch
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