Strangeness
2022 · 103 min · Director: Roberto Andò
Show plot summary (may contain spoilers)
During a trip to Sicily in 1920, Luigi Pirandello meets two gravediggers-turned-playwrights rehearsing a play with their amateur dramatics. Pirandello takes an interest in the odd couple, having been suffering from writer's block while working on his eventual masterpiece, Six Characters in Search of an Author.
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Emotional fingerprint
Strangeness (2022) — Movie. Top emotional signals: Humor 30%, Curiosity 25%, Awe 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Curiosity25%
- Awe20%
- Empathy15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Curiosity, Awe. Genres: Comedy, Drama, History. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Curiosity and Awe. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Curiosity
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Curiosity | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 47 % | 27 % | 27 % | 8 % |
| 7.5 % | ≈ 8′ | Humor | 44 % | 36 % | 28 % | 13 % |
| 12.5 % | ≈ 13′ | Humor | 43 % | 40 % | 31 % | 13 % |
| 17.5 % | ≈ 18′ | Curiosity | 41 % | 35 % | 36 % | 11 % |
| 22.5 % | ≈ 23′ | Humor | 39 % | 33 % | 34 % | 18 % |
| 27.5 % | ≈ 28′ | Humor | 39 % | 34 % | 34 % | 24 % |
| 32.5 % | ≈ 33′ | Curiosity | 41 % | 34 % | 40 % | 23 % |
| 37.5 % | ≈ 39′ | Curiosity | 46 % | 25 % | 40 % | 21 % |
| 42.5 % | ≈ 44′ | Sadness | 51 % | 23 % | 35 % | 25 % |
| 47.5 % | ≈ 49′ | Humor | 53 % | 40 % | 29 % | 25 % |
| 52.5 % | ≈ 54′ | Humor | 51 % | 48 % | 26 % | 24 % |
| 57.5 % | ≈ 59′ | Curiosity | 51 % | 44 % | 30 % | 26 % |
| 62.5 % | ≈ 64′ | Humor | 59 % | 54 % | 32 % | 30 % |
| 67.5 % | ≈ 70′ | Humor | 66 % | 55 % | 34 % | 43 % |
| 72.5 % | ≈ 75′ | Tension | 64 % | 41 % | 39 % | 44 % |
| 77.5 % | ≈ 80′ | Curiosity | 54 % | 36 % | 45 % | 25 % |
| 82.5 % | ≈ 85′ | Curiosity | 50 % | 38 % | 51 % | 20 % |
| 87.5 % | ≈ 90′ | Curiosity | 61 % | 31 % | 56 % | 38 % |
| 92.5 % | ≈ 95′ | Tension | 69 % | 21 % | 51 % | 54 % |
| 97.5 % | ≈ 100′ | Curiosity | 63 % | 18 % | 43 % | 52 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Santina
La figliastra
Calogero Interrante
Il Giovinetto
Details
- Directed by
- Roberto Andò
- Written by
- Ugo Chiti, Massimo Gaudioso, Roberto Andò, Massimo Gaudioso
- Type
- Movies
- Released
- 2022
- Runtime
- 103 min
- Country
- Italy
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
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