Our Departures
2018 · 120 min · Director: Yasuhiro Yoshida
Show plot summary (may contain spoilers)
Akira is widowed and left with a pre-teen stepson. Travelling with him to her late husband's hometown, she meets her odd father-in-law and yet decides to make a go of living and working there. She attends training and joins the railway company where her father-in-law works and her late man dreamt of ending up as a child.
Emotional fingerprint
Our Departures (2018) — Movie. Top emotional signals: Empathy 30%, Sadness 25%, Hope 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Sadness25%
- Hope20%
- Satisfaction15%
- Love10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Hope. Genres: Drama, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Hope. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 50 % | 30 % | 22 % | 17 % |
| 7.5 % | ≈ 9′ | Sadness | 62 % | 51 % | 51 % | 8 % |
| 12.5 % | ≈ 15′ | Sadness | 70 % | 65 % | 64 % | 8 % |
| 17.5 % | ≈ 21′ | Empathy | 66 % | 58 % | 43 % | 26 % |
| 22.5 % | ≈ 27′ | Hope | 57 % | 41 % | 21 % | 38 % |
| 27.5 % | ≈ 33′ | Tension | 57 % | 43 % | 33 % | 25 % |
| 32.5 % | ≈ 39′ | Sadness | 65 % | 58 % | 56 % | 13 % |
| 37.5 % | ≈ 45′ | Sadness | 60 % | 55 % | 47 % | 23 % |
| 42.5 % | ≈ 51′ | Hope | 52 % | 42 % | 25 % | 41 % |
| 47.5 % | ≈ 57′ | Hope | 56 % | 39 % | 19 % | 45 % |
| 52.5 % | ≈ 63′ | Tension | 61 % | 48 % | 26 % | 37 % |
| 57.5 % | ≈ 69′ | Empathy | 66 % | 60 % | 43 % | 29 % |
| 62.5 % | ≈ 75′ | Sadness | 71 % | 64 % | 55 % | 18 % |
| 67.5 % | ≈ 81′ | Tension | 75 % | 66 % | 59 % | 12 % |
| 72.5 % | ≈ 87′ | Sadness | 79 % | 73 % | 69 % | 16 % |
| 77.5 % | ≈ 93′ | Empathy | 77 % | 76 % | 68 % | 29 % |
| 82.5 % | ≈ 99′ | Empathy | 77 % | 73 % | 51 % | 49 % |
| 87.5 % | ≈ 105′ | Hope | 81 % | 70 % | 35 % | 71 % |
| 92.5 % | ≈ 111′ | Hope | 82 % | 65 % | 30 % | 79 % |
| 97.5 % | ≈ 117′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Our Departures. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Nakaizumi Tamotsu
Details
- Directed by
- Yasuhiro Yoshida
- Written by
- Yasuhiro Yoshida
- Type
- Movies
- Released
- 2018
- Runtime
- 120 min
- Country
- Japan
- Ratings
- Feels mostly
- Empathy
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
