The Tomb
1986 · 84 min · Director: Fred Olen Ray
Show plot summary (may contain spoilers)
An Egyptian princess rises from the dead and goes to California for the amulets she needs.
Emotional fingerprint
The Tomb (1986) — Movie. Top emotional signals: Fear 35%, Tension 25%, Disturbing 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Fear35%
- Tension25%
- Disturbing20%
- Surprise10%
- Curiosity10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Tension, Disturbing. Genres: Fantasy, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Tension and Disturbing. Its IMDb rating of 3.6/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 58/100.
How did it make you feel?
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Pick up to three · 0/3
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Anna Conda
Janitor
Old Nefratis
Stripper
Tyler
Details
- Directed by
- Fred Olen Ray
- Written by
- Kenneth J. Hall, Kenneth J. Hall
- Type
- Movies
- Released
- 1986
- Runtime
- 84 min
- Country
- United States of America
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
