DAU. Natasha
2020 · 138 min · Director: Jekaterina Oertel, Ilya Khrzhanovsky
Show plot summary (may contain spoilers)
Natasha runs the canteen at a secret 1950s Soviet research institute. This is the beating heart of the DAU universe, everyone drops in here: the institute's employees, scientists and visiting foreign guests. Natasha's world is a small one, split between the demands of the canteen during the day and alcohol fuelled nights with her younger colleague Olga, during which the two confide their hopes of romance and for a different future. At a party one evening Natasha becomes close to a visiting French scientist Luc Bige and the two sleep together. The following day her life takes a dramatic turn when she is summoned to an interrogation by the KGB's General Vladimir Azhippo who questions the nature of her relationship with the foreign guest.
Emotional fingerprint
DAU. Natasha (2020) — Movie. Top emotional signals: Disturbing 30%, Anxiety 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Disturbing30%
- Anxiety25%
- Sadness20%
- Empathy15%
- Tension10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Disturbing, Anxiety, Sadness. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Disturbing, Anxiety and Sadness. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sympathy
- Tension
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Tension | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Not enough subtitle evidence | 20 % | 5 % | 15 % | 5 % |
| 7.5 % | ≈ 10′ | Tension | 34 % | 15 % | 29 % | 13 % |
| 12.5 % | ≈ 17′ | Tension | 46 % | 20 % | 41 % | 23 % |
| 17.5 % | ≈ 24′ | Tension | 42 % | 10 % | 31 % | 18 % |
| 22.5 % | ≈ 31′ | Humor | 39 % | 3 % | 16 % | 8 % |
| 27.5 % | ≈ 38′ | Humor | 38 % | 8 % | 14 % | 6 % |
| 32.5 % | ≈ 45′ | Sympathy | 35 % | 20 % | 16 % | 8 % |
| 37.5 % | ≈ 52′ | Sympathy | 34 % | 24 % | 15 % | 5 % |
| 42.5 % | ≈ 59′ | Humor | 31 % | 15 % | 15 % | 5 % |
| 47.5 % | ≈ 66′ | Tension | 34 % | 14 % | 24 % | 13 % |
| 52.5 % | ≈ 72′ | Humor | 44 % | 25 % | 35 % | 25 % |
| 57.5 % | ≈ 79′ | Sympathy | 57 % | 44 % | 40 % | 35 % |
| 62.5 % | ≈ 86′ | Sadness | 65 % | 54 % | 41 % | 34 % |
| 67.5 % | ≈ 93′ | Tension | 69 % | 53 % | 55 % | 40 % |
| 72.5 % | ≈ 100′ | Tension | 76 % | 58 % | 71 % | 59 % |
| 77.5 % | ≈ 107′ | Tension | 83 % | 68 % | 79 % | 74 % |
| 82.5 % | ≈ 114′ | Disturbing | 92 % | 80 % | 85 % | 88 % |
| 87.5 % | ≈ 121′ | Disturbing | 95 % | 88 % | 81 % | 94 % |
| 92.5 % | ≈ 128′ | Sympathy | 78 % | 73 % | 63 % | 71 % |
| 97.5 % | ≈ 135′ | Sadness | 56 % | 48 % | 43 % | 38 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about DAU. Natasha. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Details
- Directed by
- Jekaterina Oertel, Ilya Khrzhanovsky
- Written by
- Ilya Khrzhanovsky, Kora Landau-Drobantseva
- Type
- Movies
- Released
- 2020
- Runtime
- 138 min
- Country
- United Kingdom, Germany, Russia, Ukraine
- Genres
- Drama
- Ratings
- Feels mostly
- Disturbing
- Data updated
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