Sea Beast
2008 · 87 min · Director: Paul Ziller
Show plot summary (may contain spoilers)
In the fishing village of Cedar Bay, terror lies within the water. And now it has surfaced in search of something more substantial to devour than marine life: human flesh. A captain and a sea biologist must wage a terrifying battle against the deadly creatures in order to save mankind from total extinction.
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Emotional fingerprint
Sea Beast (2008) — Movie. Top emotional signals: Fear 35%, Tension 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Fear35%
- Tension25%
- Anxiety20%
- Surprise10%
- Disturbing10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Tension, Anxiety. Genres: Thriller, Action, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Tension and Anxiety. Its IMDb rating of 4.2/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 57/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Fear
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Curiosity
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Fear | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 62 % | 57 % | 43 % | 18 % |
| 7.5 % | ≈ 7′ | Sadness | 46 % | 36 % | 24 % | 23 % |
| 12.5 % | ≈ 11′ | Curiosity | 39 % | 29 % | 15 % | 29 % |
| 17.5 % | ≈ 15′ | Tension | 45 % | 38 % | 24 % | 34 % |
| 22.5 % | ≈ 20′ | Curiosity | 55 % | 46 % | 34 % | 49 % |
| 27.5 % | ≈ 24′ | Curiosity | 65 % | 56 % | 45 % | 59 % |
| 32.5 % | ≈ 28′ | Tension | 70 % | 66 % | 56 % | 55 % |
| 37.5 % | ≈ 33′ | Tension | 65 % | 64 % | 50 % | 51 % |
| 42.5 % | ≈ 37′ | Tension | 59 % | 59 % | 41 % | 49 % |
| 47.5 % | ≈ 41′ | Tension | 66 % | 66 % | 51 % | 41 % |
| 52.5 % | ≈ 46′ | Tension | 74 % | 74 % | 63 % | 35 % |
| 57.5 % | ≈ 50′ | Tension | 78 % | 78 % | 69 % | 34 % |
| 62.5 % | ≈ 54′ | Tension | 83 % | 83 % | 76 % | 25 % |
| 67.5 % | ≈ 59′ | Tension | 84 % | 84 % | 79 % | 18 % |
| 72.5 % | ≈ 63′ | Tension | 83 % | 81 % | 76 % | 20 % |
| 77.5 % | ≈ 67′ | Tension | 81 % | 79 % | 71 % | 24 % |
| 82.5 % | ≈ 72′ | Tension | 80 % | 79 % | 68 % | 20 % |
| 87.5 % | ≈ 76′ | Tension | 85 % | 84 % | 71 % | 19 % |
| 92.5 % | ≈ 80′ | Tension | 86 % | 78 % | 64 % | 21 % |
| 97.5 % | ≈ 85′ | Relief | 80 % | 60 % | 45 % | 15 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Carly McKenna
Details
- Directed by
- Paul Ziller
- Written by
- Paul Ziller, Neil Elman
- Type
- Movies
- Released
- 2008
- Runtime
- 87 min
- Country
- Canada, United States of America
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





