Lost in Transit
1917 · 50 min · Director: Donald Crisp
Show plot summary (may contain spoilers)
Mr. Kendall, a wealthy man who had sent his infant son to a home after the death of his mother at birth, decides that it is time for his son to come home. On his carriage ride to the father he has never seen, however, the boy mysteriously disappears. At the same time, a woman deposits a little boy on the cart of Italian junk man Niccolo Darini, and then disappears.
Emotional fingerprint
Lost in Transit (1917) — Movie. Top emotional signals: Empathy 30%, Anxiety 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Anxiety, Sadness. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Anxiety and Sadness. Use the emotional profile to decide whether it suits your next watch. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
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Pick up to three · 0/3
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Details
- Directed by
- Donald Crisp
- Written by
- Kathlyn Williams, Gardner Hunting
- Type
- Movies
- Released
- 1917
- Runtime
- 50 min
- Country
- United States of America
- Genres
- Drama
- Feels mostly
- Empathy
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
