On Golden Pond
1981 · 109 min · Director: Mark Rydell
Show plot summary (may contain spoilers)
For Norman and Ethel Thayer, this summer on golden pond is filled with conflict and resolution. When their daughter Chelsea arrives, the family is forced to renew the bonds of love and overcome the generational friction that has existed for years.
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Emotional fingerprint
On Golden Pond (1981) — Movie. Top emotional signals: Empathy 30%, Love 25%, Sadness 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Love, Sadness. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Love and Sadness. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Humor
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Humor | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Love | 32 % | 22 % | 22 % | 3 % |
| 7.5 % | ≈ 8′ | Humor | 40 % | 21 % | 35 % | 7 % |
| 12.5 % | ≈ 14′ | Humor | 42 % | 18 % | 40 % | 10 % |
| 17.5 % | ≈ 19′ | Humor | 43 % | 24 % | 34 % | 18 % |
| 22.5 % | ≈ 25′ | Love | 50 % | 38 % | 31 % | 25 % |
| 27.5 % | ≈ 30′ | Love | 50 % | 37 % | 38 % | 21 % |
| 32.5 % | ≈ 35′ | Humor | 49 % | 21 % | 43 % | 26 % |
| 37.5 % | ≈ 41′ | Humor | 49 % | 12 % | 41 % | 38 % |
| 42.5 % | ≈ 46′ | Humor | 48 % | 22 % | 36 % | 34 % |
| 47.5 % | ≈ 52′ | Love | 49 % | 33 % | 27 % | 27 % |
| 52.5 % | ≈ 57′ | Sadness | 50 % | 29 % | 25 % | 28 % |
| 57.5 % | ≈ 63′ | Humor | 47 % | 27 % | 34 % | 22 % |
| 62.5 % | ≈ 68′ | Humor | 48 % | 28 % | 37 % | 24 % |
| 67.5 % | ≈ 74′ | Tension | 53 % | 24 % | 27 % | 43 % |
| 72.5 % | ≈ 79′ | Tension | 62 % | 21 % | 17 % | 60 % |
| 77.5 % | ≈ 84′ | Tension | 72 % | 29 % | 15 % | 60 % |
| 82.5 % | ≈ 90′ | Relief | 73 % | 45 % | 24 % | 37 % |
| 87.5 % | ≈ 95′ | Love | 70 % | 56 % | 30 % | 27 % |
| 92.5 % | ≈ 101′ | Love | 71 % | 60 % | 27 % | 46 % |
| 97.5 % | ≈ 106′ | Love | 76 % | 65 % | 24 % | 61 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Details
- Directed by
- Mark Rydell
- Written by
- Ernest Thompson
- Type
- Movies
- Released
- 1981
- Runtime
- 109 min
- Country
- United Kingdom, United States of America
- Ratings
- Feels mostly
- Empathy
- Data updated
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