Scout toujours...
1985 · 98 min · Director: Gérard Jugnot
Show plot summary (may contain spoilers)
France, 1965 - An aging mamma's boy becomes the replacement leader of a rowdy group of teenage boy scouts who make his life miserable.
Emotional fingerprint
Scout toujours... (1985) — Movie. Top emotional signals: Humor 45%, Joy 25%, Anxiety 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Anxiety. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Anxiety. Its IMDb rating of 5.6/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Sympathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Sympathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 44 % | 43 % | 15 % | 13 % |
| 7.5 % | ≈ 7′ | Humor | 40 % | 38 % | 11 % | 17 % |
| 12.5 % | ≈ 12′ | Humor | 38 % | 35 % | 10 % | 15 % |
| 17.5 % | ≈ 17′ | Humor | 44 % | 42 % | 18 % | 15 % |
| 22.5 % | ≈ 22′ | Humor | 49 % | 47 % | 23 % | 19 % |
| 27.5 % | ≈ 27′ | Humor | 44 % | 40 % | 21 % | 24 % |
| 32.5 % | ≈ 32′ | Sympathy | 42 % | 33 % | 22 % | 33 % |
| 37.5 % | ≈ 37′ | Sympathy | 46 % | 35 % | 29 % | 35 % |
| 42.5 % | ≈ 42′ | Humor | 49 % | 41 % | 34 % | 24 % |
| 47.5 % | ≈ 47′ | Humor | 48 % | 44 % | 30 % | 16 % |
| 52.5 % | ≈ 51′ | Humor | 46 % | 44 % | 21 % | 14 % |
| 57.5 % | ≈ 56′ | Humor | 45 % | 42 % | 22 % | 17 % |
| 62.5 % | ≈ 61′ | Humor | 41 % | 35 % | 27 % | 21 % |
| 67.5 % | ≈ 66′ | Humor | 40 % | 34 % | 28 % | 22 % |
| 72.5 % | ≈ 71′ | Humor | 50 % | 36 % | 35 % | 28 % |
| 77.5 % | ≈ 76′ | Tension | 61 % | 32 % | 51 % | 36 % |
| 82.5 % | ≈ 81′ | Tension | 65 % | 32 % | 60 % | 34 % |
| 87.5 % | ≈ 86′ | Tension | 69 % | 29 % | 66 % | 35 % |
| 92.5 % | ≈ 91′ | Tension | 75 % | 23 % | 69 % | 45 % |
| 97.5 % | ≈ 96′ | Relief | 77 % | 27 % | 65 % | 49 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Scout toujours.... From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Marie-France de Guillemin
Le paysan
Edith
Madeleine
Jacky
de La Motte
Pois Chiche
Bardinski
Fla Fla
Étienne
Benamou
Details
- Directed by
- Gérard Jugnot
- Written by
- Gérard Jugnot, Christian Biegalski, Pierre Geller
- Type
- Movies
- Released
- 1985
- Runtime
- 98 min
- Country
- France
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
