The Decline of the American Empire
1986 · 101 min · Director: Denys Arcand
Show plot summary (may contain spoilers)
A group of academics at the University of Montreal--most long time friends--plan to gather at the lakeside recreational home of Rémy and Louise, who have been together for 20 years, married for 15 of them, for dinner. Louise knows Rémy cheats on her, but believes he only does so when she is not around, which she accepts. Their recreational home is adjacent to many of the recreational homes of the others, who are: divorced Pierre and his much younger current girlfriend Danielle who is a student at the university; divorced mother Diane; independent-minded Dominque; single homosexual Claude; and graduate student Alain; While the four men prepare the dinner, the four women are working out together in the gym. The common factor between the two groups is the topic of conversation: sex, especially as it relates to themselves. But underlying each of the conversations is their own academic and intellectual backgrounds, which shapes the nature of the discussions. When the two groups finally converge for dinner, a ninth person is added peripherally, brusque working-class Mario, Diane's current sexual partner. This relationship is a first for Diane in that not only their sexual encounters but the way they interact with each other in general is predicated on S and M, dictated largely by Diane, the submissive. What happens with the group as dinner goes into evening and evening goes into morning is further shaped by them listening to a prerecorded interview Dominique did for CBC Radio earlier in the day to promote her new book, which discusses how the quest for individual happiness in modern western society is leading to the decline of the society in general.
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Emotional fingerprint
The Decline of the American Empire (1986) — Movie. Top emotional signals: Humor 30%, Empathy 25%, Confusion 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Confusion. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Confusion. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Sadness
- Sympathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Sadness | Sympathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 39 % | 18 % | 8 % | 7 % |
| 7.5 % | ≈ 8′ | Curiosity | 42 % | 31 % | 8 % | 12 % |
| 12.5 % | ≈ 13′ | Humor | 50 % | 47 % | 11 % | 18 % |
| 17.5 % | ≈ 18′ | Humor | 52 % | 52 % | 15 % | 18 % |
| 22.5 % | ≈ 23′ | Humor | 48 % | 48 % | 17 % | 18 % |
| 27.5 % | ≈ 28′ | Humor | 46 % | 46 % | 18 % | 21 % |
| 32.5 % | ≈ 33′ | Humor | 48 % | 48 % | 16 % | 18 % |
| 37.5 % | ≈ 38′ | Humor | 50 % | 47 % | 19 % | 20 % |
| 42.5 % | ≈ 43′ | Sadness | 51 % | 45 % | 22 % | 25 % |
| 47.5 % | ≈ 48′ | Humor | 53 % | 53 % | 17 % | 23 % |
| 52.5 % | ≈ 53′ | Humor | 55 % | 56 % | 15 % | 24 % |
| 57.5 % | ≈ 58′ | Humor | 52 % | 44 % | 20 % | 30 % |
| 62.5 % | ≈ 63′ | Sympathy | 49 % | 31 % | 28 % | 35 % |
| 67.5 % | ≈ 68′ | Tension | 47 % | 29 % | 28 % | 32 % |
| 72.5 % | ≈ 73′ | Humor | 48 % | 35 % | 25 % | 26 % |
| 77.5 % | ≈ 78′ | Humor | 56 % | 36 % | 33 % | 32 % |
| 82.5 % | ≈ 83′ | Tension | 68 % | 24 % | 51 % | 51 % |
| 87.5 % | ≈ 88′ | Sadness | 74 % | 13 % | 67 % | 68 % |
| 92.5 % | ≈ 93′ | Sadness | 65 % | 18 % | 55 % | 57 % |
| 97.5 % | ≈ 98′ | Humor | 49 % | 29 % | 31 % | 34 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Dominique
Danielle
Alain
Mario
Theresa
Transvestite
Mustafa
Patineur (uncredited)
Details
- Directed by
- Denys Arcand
- Written by
- Denys Arcand, Gabriel Arcand, Mark Blandford, Jean-Claude Lauzon, Monique Proulx, Yvon Rivard, Catherine Ruelle, Louise Vandelac
- Type
- Movies
- Released
- 1986
- Runtime
- 101 min
- Country
- Canada
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Free
Rent
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