Flodder
1986 · 111 min · Director: Dick Maas
Show plot summary (may contain spoilers)
A rather a-social family, gets a chance to live in an upper-class neighborhood. As they are not accepted by the snobs living there, they get in all sorts of trouble.
Emotional fingerprint
Flodder (1986) — Movie. Top emotional signals: Humor 40%, Excitement 25%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor40%
- Excitement25%
- Surprise15%
- Anxiety10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Surprise. Genres: Comedy, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Surprise. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Excitement
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Excitement |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 48 % | 48 % | 17 % | 13 % |
| 7.5 % | ≈ 8′ | Humor | 48 % | 48 % | 19 % | 19 % |
| 12.5 % | ≈ 14′ | Humor | 49 % | 49 % | 19 % | 21 % |
| 17.5 % | ≈ 19′ | Humor | 49 % | 46 % | 23 % | 19 % |
| 22.5 % | ≈ 25′ | Humor | 46 % | 39 % | 34 % | 19 % |
| 27.5 % | ≈ 31′ | Humor | 49 % | 39 % | 41 % | 28 % |
| 32.5 % | ≈ 36′ | Humor | 53 % | 45 % | 39 % | 33 % |
| 37.5 % | ≈ 42′ | Humor | 50 % | 48 % | 31 % | 21 % |
| 42.5 % | ≈ 47′ | Humor | 46 % | 46 % | 26 % | 14 % |
| 47.5 % | ≈ 53′ | Humor | 46 % | 45 % | 26 % | 18 % |
| 52.5 % | ≈ 58′ | Humor | 51 % | 48 % | 31 % | 20 % |
| 57.5 % | ≈ 64′ | Humor | 53 % | 45 % | 32 % | 15 % |
| 62.5 % | ≈ 69′ | Sympathy | 48 % | 39 % | 28 % | 10 % |
| 67.5 % | ≈ 75′ | Humor | 49 % | 38 % | 33 % | 14 % |
| 72.5 % | ≈ 80′ | Tension | 55 % | 39 % | 45 % | 20 % |
| 77.5 % | ≈ 86′ | Humor | 55 % | 43 % | 45 % | 26 % |
| 82.5 % | ≈ 92′ | Humor | 53 % | 46 % | 36 % | 31 % |
| 87.5 % | ≈ 97′ | Humor | 56 % | 53 % | 32 % | 35 % |
| 92.5 % | ≈ 103′ | Humor | 62 % | 58 % | 33 % | 40 % |
| 97.5 % | ≈ 108′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Flodder. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Kees Flodder (Daughter)
Henkie
Yolanda Kruisman
Wim Kruisman
Buurvrouw Wijnberg
Toet
Opa
Whisky
Buurvrouw Neuteboom
Laura
Tennis girl
Tennis girl
Striptease dancer
Man bij Zwembad
Bewoner Zonnedael
Details
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
