The Morning After
1986 · 102 min · Director: Sidney Lumet
Show plot summary (may contain spoilers)
Alex Sternberg wakes up with a hangover and no memory of how she ended up in bed with a dead man. She flees, convinced that she has had another blackout and stabbed someone. Her only support, Turner, an ex cop and recovering alcoholic who is unsympathetic to her plight. She could believe that it is as simple as a violent act committed while drunk, except that the body keeps re-appearing.
Your viewing check-in
Emotional fingerprint
The Morning After (1986) — Movie. Top emotional signals: Anxiety 35%, Confusion 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Confusion, Tension. Genres: Romance, Mystery, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Confusion and Tension. Its IMDb rating of 5.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Curiosity
- Tension
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Tension | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 45 % | 42 % | 33 % | 0 % |
| 7.5 % | ≈ 8′ | Tension | 56 % | 48 % | 49 % | 0 % |
| 12.5 % | ≈ 13′ | Tension | 51 % | 39 % | 43 % | 4 % |
| 17.5 % | ≈ 18′ | Humor | 45 % | 32 % | 31 % | 8 % |
| 22.5 % | ≈ 23′ | Humor | 49 % | 39 % | 36 % | 9 % |
| 27.5 % | ≈ 28′ | Curiosity | 50 % | 38 % | 31 % | 13 % |
| 32.5 % | ≈ 33′ | Humor | 50 % | 29 % | 18 % | 11 % |
| 37.5 % | ≈ 38′ | Humor | 56 % | 36 % | 29 % | 6 % |
| 42.5 % | ≈ 43′ | Tension | 64 % | 50 % | 51 % | 5 % |
| 47.5 % | ≈ 48′ | Humor | 59 % | 50 % | 50 % | 8 % |
| 52.5 % | ≈ 54′ | Curiosity | 51 % | 44 % | 35 % | 14 % |
| 57.5 % | ≈ 59′ | Love | 51 % | 34 % | 21 % | 19 % |
| 62.5 % | ≈ 64′ | Love | 56 % | 36 % | 25 % | 15 % |
| 67.5 % | ≈ 69′ | Curiosity | 59 % | 53 % | 40 % | 6 % |
| 72.5 % | ≈ 74′ | Curiosity | 55 % | 56 % | 44 % | 6 % |
| 77.5 % | ≈ 79′ | Curiosity | 61 % | 55 % | 55 % | 9 % |
| 82.5 % | ≈ 84′ | Tension | 75 % | 57 % | 65 % | 20 % |
| 87.5 % | ≈ 89′ | Relief | 76 % | 43 % | 43 % | 46 % |
| 92.5 % | ≈ 94′ | Love | 73 % | 22 % | 18 % | 58 % |
| 97.5 % | ≈ 99′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about The Morning After. From the film’s own dialogue and FeelDB data, at your spoiler level.
Kadri
Hi, I’m Kadri. Ask me anything about The Morning After — I’ll stay inside your spoiler line.
Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Bobby Korshack
Frankie
Joshua Harding
Airline Supervisor
Driver
Secretary
Details
- Directed by
- Sidney Lumet
- Written by
- James Cresson, David Rayfiel
- Type
- Movies
- Released
- 1986
- Runtime
- 102 min
- Country
- United States
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





