Pirates
1986 · 124 min · Director: Roman Polanski
Show plot summary (may contain spoilers)
Captain Red runs a hardy pirate ship with the able assistance of Frog, a dashing young French sailor. One day Capt. Red is captured and taken aboard a Spanish galleon, but thanks to his inventiveness, he raises the crew to mutiny, takes over the ship, and kidnaps the niece of the governor of Maracaibo. The question is, can he keep this pace up?
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Emotional fingerprint
Pirates (1986) — Movie. Top emotional signals: Humor 35%, Excitement 25%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Excitement25%
- Surprise15%
- Tension15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Surprise. Genres: Comedy, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Surprise. Its IMDb rating of 6.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Disgust
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Disgust
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Disgust |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 57 % | 48 % | 35 % | 22 % |
| 7.5 % | ≈ 9′ | Humor | 56 % | 46 % | 38 % | 14 % |
| 12.5 % | ≈ 16′ | Humor | 53 % | 46 % | 31 % | 8 % |
| 17.5 % | ≈ 22′ | Humor | 51 % | 46 % | 29 % | 9 % |
| 22.5 % | ≈ 28′ | Humor | 56 % | 44 % | 41 % | 18 % |
| 27.5 % | ≈ 34′ | Tension | 65 % | 43 % | 55 % | 41 % |
| 32.5 % | ≈ 40′ | Disgust | 70 % | 33 % | 63 % | 46 % |
| 37.5 % | ≈ 47′ | Tension | 66 % | 26 % | 55 % | 19 % |
| 42.5 % | ≈ 53′ | Humor | 61 % | 44 % | 32 % | 5 % |
| 47.5 % | ≈ 59′ | Humor | 60 % | 55 % | 26 % | 11 % |
| 52.5 % | ≈ 65′ | Humor | 57 % | 49 % | 36 % | 13 % |
| 57.5 % | ≈ 71′ | Humor | 54 % | 44 % | 39 % | 5 % |
| 62.5 % | ≈ 78′ | Humor | 56 % | 44 % | 44 % | 5 % |
| 67.5 % | ≈ 84′ | Humor | 58 % | 46 % | 46 % | 11 % |
| 72.5 % | ≈ 90′ | Humor | 51 % | 43 % | 38 % | 8 % |
| 77.5 % | ≈ 96′ | Sadness | 50 % | 35 % | 36 % | 3 % |
| 82.5 % | ≈ 102′ | Tension | 59 % | 30 % | 49 % | 5 % |
| 87.5 % | ≈ 109′ | Tension | 69 % | 26 % | 60 % | 8 % |
| 92.5 % | ≈ 115′ | Sadness | 72 % | 27 % | 60 % | 7 % |
| 97.5 % | ≈ 121′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
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Cast
Boomako
Jesus
Details
- Directed by
- Roman Polanski
- Written by
- Gérard Brach, Roman Polanski, John Brownjohn
- Type
- Movies
- Released
- 1986
- Runtime
- 124 min
- Country
- France, Tunisia, Poland, Mexico, United Kingdom
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





