Vamp
1986 · 93 min · Director: Richard Wenk
Show plot summary (may contain spoilers)
Two fraternity pledges go to a sleazy bar looking for strippers to entertain their college friends. They have problems with transportation, Biker gangs, and worst of all, the staff of the bar, all of whom seem to be vampires, with Grace Jones playing the head vampire.
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Emotional fingerprint
Vamp (1986) — Movie. Top emotional signals: Fear 30%, Humor 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Fear30%
- Humor25%
- Tension20%
- Excitement15%
- Surprise10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Humor, Tension. Genres: Comedy, Fantasy, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Humor and Tension. Its IMDb rating of 5.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Humor
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Humor | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 53 % | 10 % | 53 % | 3 % |
| 7.5 % | ≈ 7′ | Humor | 52 % | 10 % | 51 % | 3 % |
| 12.5 % | ≈ 12′ | Humor | 52 % | 20 % | 49 % | 8 % |
| 17.5 % | ≈ 16′ | Humor | 51 % | 27 % | 46 % | 12 % |
| 22.5 % | ≈ 21′ | Humor | 44 % | 16 % | 40 % | 6 % |
| 27.5 % | ≈ 26′ | Humor | 40 % | 15 % | 34 % | 5 % |
| 32.5 % | ≈ 30′ | Humor | 44 % | 32 % | 31 % | 16 % |
| 37.5 % | ≈ 35′ | Tension | 53 % | 49 % | 33 % | 28 % |
| 42.5 % | ≈ 40′ | Tension | 59 % | 56 % | 38 % | 34 % |
| 47.5 % | ≈ 44′ | Humor | 60 % | 56 % | 40 % | 34 % |
| 52.5 % | ≈ 49′ | Tension | 65 % | 62 % | 35 % | 42 % |
| 57.5 % | ≈ 53′ | Tension | 67 % | 62 % | 34 % | 44 % |
| 62.5 % | ≈ 58′ | Relief | 67 % | 59 % | 37 % | 40 % |
| 67.5 % | ≈ 63′ | Tension | 72 % | 65 % | 39 % | 46 % |
| 72.5 % | ≈ 67′ | Tension | 70 % | 65 % | 41 % | 43 % |
| 77.5 % | ≈ 72′ | Tension | 66 % | 62 % | 39 % | 37 % |
| 82.5 % | ≈ 77′ | Tension | 73 % | 70 % | 33 % | 49 % |
| 87.5 % | ≈ 81′ | Tension | 71 % | 68 % | 24 % | 53 % |
| 92.5 % | ≈ 86′ | Relief | 59 % | 51 % | 27 % | 36 % |
| 97.5 % | ≈ 91′ | Relief | 57 % | 44 % | 42 % | 27 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Katrina
Vlad
Cimmaron
Fraternity Leader
Student
Student
Student
Sock Salesman
Coffee Shop Proprietor
Maven
Dragon Girl
Hard Hat
Shorty
Waitress
Details
- Directed by
- Richard Wenk
- Written by
- Richard Wenk, Donald P. Borchers, C.W. Cressler
- Type
- Movies
- Released
- 1986
- Runtime
- 93 min
- Country
- United States
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Subscription
Free
Also on
Availability varies by country
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





