*batteries not included
1987 · 107 min · Director: Matthew Robbins
Show plot summary (may contain spoilers)
A group of tenants in an apartment block are being forced to move out so that it can be demolished. The tenants are reluctant to move, so the developers hire a local gang to 'persuade' them to leave. Fortunately, visiting alien mechanical life-forms come to town. When they befriend the tenants, the aliens use their extraterrestrial abilities to defeat the developers.
Emotional fingerprint
*batteries not included (1987) — Movie. Top emotional signals: Love 30%, Hope 25%, Humor 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Hope, Humor. Genres: Comedy, Fantasy, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Hope and Humor. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Empathy
- Tension
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Curiosity
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Tension | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 35 % | 15 % | 35 % | 5 % |
| 7.5 % | ≈ 8′ | Tension | 43 % | 24 % | 43 % | 14 % |
| 12.5 % | ≈ 13′ | Tension | 49 % | 35 % | 40 % | 28 % |
| 17.5 % | ≈ 19′ | Sadness | 48 % | 41 % | 28 % | 36 % |
| 22.5 % | ≈ 24′ | Empathy | 44 % | 38 % | 25 % | 29 % |
| 27.5 % | ≈ 29′ | Curiosity | 46 % | 33 % | 28 % | 21 % |
| 32.5 % | ≈ 35′ | Curiosity | 53 % | 34 % | 33 % | 23 % |
| 37.5 % | ≈ 40′ | Curiosity | 53 % | 35 % | 34 % | 19 % |
| 42.5 % | ≈ 45′ | Joy | 50 % | 34 % | 26 % | 15 % |
| 47.5 % | ≈ 51′ | Curiosity | 53 % | 35 % | 21 % | 21 % |
| 52.5 % | ≈ 56′ | Sadness | 53 % | 41 % | 20 % | 30 % |
| 57.5 % | ≈ 62′ | Joy | 49 % | 43 % | 29 % | 24 % |
| 62.5 % | ≈ 67′ | Tension | 46 % | 39 % | 34 % | 16 % |
| 67.5 % | ≈ 72′ | Joy | 51 % | 41 % | 36 % | 28 % |
| 72.5 % | ≈ 78′ | Tension | 61 % | 49 % | 49 % | 44 % |
| 77.5 % | ≈ 83′ | Sadness | 65 % | 53 % | 56 % | 48 % |
| 82.5 % | ≈ 88′ | Tension | 73 % | 56 % | 69 % | 41 % |
| 87.5 % | ≈ 94′ | Tension | 80 % | 64 % | 65 % | 43 % |
| 92.5 % | ≈ 99′ | Empathy | 78 % | 68 % | 38 % | 52 % |
| 97.5 % | ≈ 104′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Carlos
Muriel Hogenson
Goon #1
Louie
Receptionist
Policeman at Hospital
Policeman at Building
Details
- Directed by
- Matthew Robbins
- Written by
- Matthew Robbins, S.S. Wilson, Mick Garris, Brad Bird, Brent Maddock
- Type
- Movies
- Released
- 1987
- Runtime
- 107 min
- Country
- United States
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
