Barfly
1987 · 100 min · Director: Barbet Schroeder, Barbet Schroeder
Show plot summary (may contain spoilers)
Henry Chinaski never cared for the American dream, the thought of needing to become 'something' and fit into the system disgusts him. He believes that life is free and yours to live like you see fit, and if that in some cases involves copious amounts of whiskey then so be it. Henry spends his days drinking and listening to the radio, and he spends his nights drinking and fighting against Eddy who he thinks personifies shallowness and shameless self promoting. Sometimes in the middle of this he finds the time to jot down a few lines of poetry or a short story. After fighting Eddy and winning for a change Henry is thrown out of his regular bar where Eddy is a bartender. This leads him to seek another watering hole where he happens to find Wanda who is a barfly, in her own words "if another man came along with a fifth of whiskey, I'd go with him". Henry is not fazed by this thou and moves in with her. Of course Wanda immediately goes off and sleeps with Eddy, but after some clothes throwing and two visits from the paramedics Henry and Wanda manage to patch up their relationship. Then Henry gets a visit from a literary agent who has decided to publish one of his stories that he sent in because he "liked the name of the mag". He follows the agent home to her place in order to receive his payment and with the help of a little whiskey sleeps with her. When he leaves to go back to the bar and back to Wanda the agent is heartbroken, she sees something special in Henry and has fallen in love with him. She follows him to his usual bar and gets into a cat fight with Wanda that Wanda wins. In celebration of new found love, happiness and money Henry buys a round for everyone at the bar and toasts them "to my friends!"
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Emotional fingerprint
Barfly (1987) — Movie. Top emotional signals: Melancholy 35%, Humor 25%, Anger 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy35%
- Humor25%
- Anger15%
- Empathy15%
- Nostalgia10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Humor, Anger. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Humor and Anger. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Humor
- Melancholy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion: Humor
Dominant emotion: Melancholy
Dominant emotion: Curiosity
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Humor | Melancholy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 60 % | 55 % | 25 % | 18 % |
| 7.5 % | ≈ 8′ | Sympathy | 49 % | 38 % | 29 % | 24 % |
| 12.5 % | ≈ 13′ | Humor | 49 % | 32 % | 35 % | 24 % |
| 17.5 % | ≈ 18′ | Tension | 56 % | 43 % | 33 % | 23 % |
| 22.5 % | ≈ 23′ | Sympathy | 54 % | 40 % | 28 % | 28 % |
| 27.5 % | ≈ 28′ | Tension | 50 % | 38 % | 30 % | 31 % |
| 32.5 % | ≈ 33′ | Melancholy | 49 % | 34 % | 35 % | 34 % |
| 37.5 % | ≈ 38′ | Humor | 47 % | 21 % | 38 % | 27 % |
| 42.5 % | ≈ 43′ | Humor | 46 % | 20 % | 33 % | 25 % |
| 47.5 % | ≈ 48′ | Melancholy | 49 % | 34 % | 30 % | 31 % |
| 52.5 % | ≈ 53′ | Humor | 49 % | 38 % | 34 % | 30 % |
| 57.5 % | ≈ 58′ | Melancholy | 50 % | 38 % | 29 % | 35 % |
| 62.5 % | ≈ 63′ | Sympathy | 55 % | 41 % | 23 % | 38 % |
| 67.5 % | ≈ 68′ | Curiosity | 56 % | 40 % | 26 % | 24 % |
| 72.5 % | ≈ 73′ | Tension | 56 % | 44 % | 34 % | 16 % |
| 77.5 % | ≈ 78′ | Humor | 55 % | 43 % | 33 % | 26 % |
| 82.5 % | ≈ 83′ | Melancholy | 51 % | 34 % | 26 % | 34 % |
| 87.5 % | ≈ 88′ | Humor | 51 % | 33 % | 29 % | 25 % |
| 92.5 % | ≈ 93′ | Tension | 53 % | 42 % | 30 % | 18 % |
| 97.5 % | ≈ 98′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Lilly
Grandma Moses
Rick
Old Man in Bar
Hooker in Bar
Man in Alley
Carl
Mike
Roger
Helen
Jack, The Window Washer
Details
- Directed by
- Barbet Schroeder, Barbet Schroeder
- Written by
- Charles Bukowski
- Type
- Movies
- Released
- 1987
- Runtime
- 100 min
- Country
- United States
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





