The Belly of an Architect
1987 · 118 min · Director: Peter Greenaway
Show plot summary (may contain spoilers)
An American architect arrives in Italy, supervising an exhibition for a French architect, Boullée, who is famous for his oval structures. Through the course of 9 months he becomes obsessed with his belly, suffers severe stomach pains, loses his wife, exhibition, his unborn child and finally his own life.
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Emotional fingerprint
The Belly of an Architect (1987) — Movie. Top emotional signals: Melancholy 35%, Sadness 20%, Awe 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy35%
- Sadness20%
- Awe20%
- Anxiety15%
- Confusion10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Sadness, Awe. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Sadness and Awe. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sympathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Anxiety
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 40 % | 10 % | 0 % | 10 % |
| 7.5 % | ≈ 9′ | Humor | 39 % | 14 % | 3 % | 19 % |
| 12.5 % | ≈ 15′ | Anxiety | 38 % | 23 % | 11 % | 28 % |
| 17.5 % | ≈ 21′ | Sympathy | 43 % | 29 % | 19 % | 36 % |
| 22.5 % | ≈ 27′ | Tension | 49 % | 31 % | 19 % | 45 % |
| 27.5 % | ≈ 32′ | Anxiety | 48 % | 33 % | 19 % | 45 % |
| 32.5 % | ≈ 38′ | Tension | 48 % | 35 % | 25 % | 43 % |
| 37.5 % | ≈ 44′ | Sympathy | 53 % | 40 % | 31 % | 45 % |
| 42.5 % | ≈ 50′ | Tension | 54 % | 44 % | 34 % | 46 % |
| 47.5 % | ≈ 56′ | Sympathy | 51 % | 45 % | 36 % | 39 % |
| 52.5 % | ≈ 62′ | Anxiety | 50 % | 43 % | 35 % | 34 % |
| 57.5 % | ≈ 68′ | Anxiety | 45 % | 34 % | 28 % | 34 % |
| 62.5 % | ≈ 74′ | Humor | 45 % | 31 % | 25 % | 40 % |
| 67.5 % | ≈ 80′ | Tension | 61 % | 46 % | 40 % | 59 % |
| 72.5 % | ≈ 86′ | Tension | 76 % | 64 % | 63 % | 65 % |
| 77.5 % | ≈ 91′ | Sadness | 80 % | 73 % | 75 % | 49 % |
| 82.5 % | ≈ 97′ | Sadness | 79 % | 75 % | 75 % | 39 % |
| 87.5 % | ≈ 103′ | Sympathy | 74 % | 71 % | 69 % | 45 % |
| 92.5 % | ≈ 109′ | Sadness | 67 % | 63 % | 62 % | 48 % |
| 97.5 % | ≈ 115′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Details
- Directed by
- Peter Greenaway
- Written by
- Peter Greenaway
- Type
- Movies
- Released
- 1987
- Runtime
- 118 min
- Country
- United Kingdom, Italy
- Genres
- Drama
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





