Shin Chan: The Adult Empire Strikes Back
2001 · 90 min · Director: Keiichi Hara
Show plot summary (may contain spoilers)
As the 21st century approaches, a new 20th-century museum has opened in town, for the adults to relive their childhood. However, the owners of the museum seem to have other plans for it. The adults start to behave strangely, and one morning, they abandon their children for the 20th-century museum. Shinnosuke, along with his friends, must now rescue his parents and stop the world from returning to the 20th century before they get captured.
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Emotional fingerprint
Shin Chan: The Adult Empire Strikes Back (2001) — Movie. Top emotional signals: Nostalgia 30%, Humor 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Nostalgia30%
- Humor25%
- Empathy20%
- Sadness15%
- Excitement10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Nostalgia, Humor, Empathy. Genres: Adventure, Action, Animation. AI estimate.
Is it worth watching?
Consider this title if you are looking for Nostalgia, Humor and Empathy. Its IMDb rating of 7.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Nostalgia
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 49 % | 50 % | 15 % | 8 % |
| 7.5 % | ≈ 7′ | Humor | 53 % | 55 % | 15 % | 11 % |
| 12.5 % | ≈ 11′ | Humor | 53 % | 53 % | 14 % | 14 % |
| 17.5 % | ≈ 16′ | Nostalgia | 54 % | 36 % | 22 % | 15 % |
| 22.5 % | ≈ 20′ | Nostalgia | 59 % | 25 % | 38 % | 14 % |
| 27.5 % | ≈ 25′ | Humor | 60 % | 32 % | 48 % | 13 % |
| 32.5 % | ≈ 29′ | Tension | 62 % | 43 % | 52 % | 13 % |
| 37.5 % | ≈ 34′ | Humor | 65 % | 48 % | 53 % | 12 % |
| 42.5 % | ≈ 38′ | Tension | 69 % | 49 % | 63 % | 11 % |
| 47.5 % | ≈ 43′ | Humor | 73 % | 54 % | 72 % | 11 % |
| 52.5 % | ≈ 47′ | Tension | 75 % | 63 % | 72 % | 8 % |
| 57.5 % | ≈ 52′ | Humor | 73 % | 68 % | 65 % | 11 % |
| 62.5 % | ≈ 56′ | Humor | 70 % | 58 % | 58 % | 30 % |
| 67.5 % | ≈ 61′ | Love | 70 % | 38 % | 51 % | 56 % |
| 72.5 % | ≈ 65′ | Relief | 73 % | 35 % | 51 % | 63 % |
| 77.5 % | ≈ 70′ | Tension | 76 % | 48 % | 67 % | 55 % |
| 82.5 % | ≈ 74′ | Tension | 81 % | 57 % | 78 % | 62 % |
| 87.5 % | ≈ 79′ | Love | 85 % | 49 % | 73 % | 78 % |
| 92.5 % | ≈ 83′ | Love | 84 % | 39 % | 49 % | 81 % |
| 97.5 % | ≈ 88′ | Relief | 80 % | 42 % | 24 % | 75 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
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Cast
Child Hiroshi Nohara (voice)
Tsuru Nohara (voice)
Fukuencho (voice)
Midori Sensei (voice)
TV voice (voice)
TV voice (voice)
Details
- Directed by
- Keiichi Hara
- Written by
- Yoshito Usui, Keiichi Hara
- Type
- Animation
- Released
- 2001
- Runtime
- 90 min
- Country
- Japan
- Ratings
- Feels mostly
- Nostalgia
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





