maboroshi
2023 · 112 min · Director: Mari Okada, Seimei Kidokoro
Show plot summary (may contain spoilers)
A factory explosion plunges a small town into a timeless freeze, leaving teenage Masamune and his pals to grapple with a quickly collapsing reality.
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Emotional fingerprint
maboroshi (2023) — Movie. Top emotional signals: Melancholy 30%, Love 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy30%
- Love25%
- Sadness20%
- Awe15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Love, Sadness. Genres: Drama, Romance, Fantasy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Love and Sadness. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Tension
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Tension | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 45 % | 15 % | 25 % | 3 % |
| 7.5 % | ≈ 8′ | Curiosity | 46 % | 14 % | 28 % | 5 % |
| 12.5 % | ≈ 14′ | Curiosity | 53 % | 18 % | 35 % | 4 % |
| 17.5 % | ≈ 20′ | Curiosity | 53 % | 25 % | 35 % | 8 % |
| 22.5 % | ≈ 25′ | Sadness | 49 % | 31 % | 31 % | 18 % |
| 27.5 % | ≈ 31′ | Curiosity | 54 % | 35 % | 39 % | 23 % |
| 32.5 % | ≈ 36′ | Tension | 65 % | 38 % | 56 % | 26 % |
| 37.5 % | ≈ 42′ | Tension | 70 % | 34 % | 65 % | 28 % |
| 42.5 % | ≈ 48′ | Tension | 70 % | 35 % | 64 % | 20 % |
| 47.5 % | ≈ 53′ | Tension | 63 % | 35 % | 46 % | 24 % |
| 52.5 % | ≈ 59′ | Love | 60 % | 26 % | 21 % | 48 % |
| 57.5 % | ≈ 64′ | Love | 74 % | 29 % | 30 % | 56 % |
| 62.5 % | ≈ 70′ | Tension | 79 % | 38 % | 55 % | 40 % |
| 67.5 % | ≈ 76′ | Hope | 70 % | 38 % | 58 % | 33 % |
| 72.5 % | ≈ 81′ | Hope | 70 % | 32 % | 61 % | 40 % |
| 77.5 % | ≈ 87′ | Tension | 80 % | 35 % | 74 % | 50 % |
| 82.5 % | ≈ 92′ | Tension | 86 % | 53 % | 71 % | 59 % |
| 87.5 % | ≈ 98′ | Love | 86 % | 69 % | 50 % | 66 % |
| 92.5 % | ≈ 104′ | Sadness | 83 % | 72 % | 28 % | 68 % |
| 97.5 % | ≈ 109′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Yasunari Semba (voice)
Hina Hara (voice)
Mamoru Sagami (voice)
Details
- Directed by
- Mari Okada, Seimei Kidokoro
- Written by
- Mari Okada
- Type
- Animation
- Released
- 2023
- Runtime
- 112 min
- Country
- Japan
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





