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Eight Men Out

1988 · 120 min · Director: John Sayles ★ IMDb 7.2 · 24,392 ratings

Show plot summary (may contain spoilers)

A semi-fictionalized account of the scandal surrounding the 1919 World Series, coined the Black Sox Scandal, is presented. The Chicago White Sox, considered the cream of the crop and one of the best major league teams ever, has just won the American League pennant, and are odds on favorites to win the World Series against the Reds. While team owner Charles A. Comiskey publicly crows about the superiority of the team he has assembled especially in their cohesion, he is unaware that arguably the cohesion in the players' determination to win is matched only by their feeling of unappreciation by Comiskey, especially financially as he screws them over time and time again on promises made. Sensing an opportunity, professional gamblers begin to feel out who they believe may be sympathetic Chicago players to a game and/or series fixing scheme, especially lucrative seeing as the to the disparity between the two teams. There end up being eight players "in" to various degrees, from being the "all in" negotiators between the gamblers and the players, to those somewhat unaware of what is happening, to those just in the know but remain silent. Things quickly go off the rails as each individual and group is looking out solely for his own interest, from the disparate groups of players, to the gamblers, to the scheme financiers, to the team owners - Comiskey and others - as closely watching sports journalists can see that some of the Sox players are not playing as hard or as well as they can.

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Emotional fingerprint

Eight Men Out (1988) — Movie. Top emotional signals: Sadness 30%, Empathy 25%, Anger 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

20%Anger
  1. Anger20%
  2. Guilt15%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Sadness, Empathy, Anger. Genres: Drama, History, Sport. AI estimate.

Is it worth watching?

Consider this title if you are looking for Sadness, Empathy and Anger. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.

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Emotional journey

AI · from subtitles
  • Tension
  • Sadness
  • Empathy

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Excitement

Dominant emotion: Curiosity

Dominant emotion: Tension

Dominant emotion: Empathy

Dominant emotion: Sadness

Tension
Sadness
Empathy
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 13 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionSadnessEmpathy
2.5 %≈ 3′Excitement48 %17 %1 %11 %
7.5 %≈ 9′Curiosity45 %25 %5 %11 %
12.5 %≈ 15′Curiosity43 %33 %10 %15 %
17.5 %≈ 21′Curiosity45 %37 %12 %20 %
22.5 %≈ 27′Curiosity47 %42 %14 %22 %
27.5 %≈ 33′Curiosity51 %47 %14 %22 %
32.5 %≈ 39′Tension53 %50 %18 %28 %
37.5 %≈ 45′Tension54 %50 %25 %35 %
42.5 %≈ 51′Tension56 %54 %29 %33 %
47.5 %≈ 57′Tension58 %56 %27 %31 %
52.5 %≈ 63′Tension57 %53 %27 %36 %
57.5 %≈ 69′Empathy59 %55 %32 %42 %
62.5 %≈ 75′Tension63 %60 %30 %39 %
67.5 %≈ 81′Tension63 %59 %33 %37 %
72.5 %≈ 87′Sadness61 %56 %43 %41 %
77.5 %≈ 93′Tension61 %57 %40 %41 %
82.5 %≈ 99′Curiosity61 %56 %37 %44 %
87.5 %≈ 105′Empathy63 %49 %48 %55 %
92.5 %≈ 111′Empathy64 %35 %54 %59 %
97.5 %≈ 117′Sadness64 %20 %58 %57 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

0 responses so far

Feeling details appear after at least 3 viewers respond, to protect privacy.

Cast

John Cusack

Buck Weaver

Clifton James

Charles Comiskey

JA
Jace Alexander

Michael Lerner

Arnold Rothstein

Christopher Lloyd

Bill Burns

John Mahoney

Kid Gleason

Charlie Sheen

Hap Felsch

David Strathairn

Eddie Cicotte

D. B. Sweeney

'Shoeless' Joe Jackson

Don Harvey

Swede Risberg

Michael Rooker

Chick Gandil

PL
Perry Lang

Fred McMullin

JR
James Read

Lefty Williams

GC
Gordon Clapp

Ray Schalk

Richard Edson

Billy Maharg

Bill Irwin

Eddie Collins

Michael Mantell

Abe Attell

Kevin Tighe

Sport Sullivan

ST
Studs Terkel

Hugh Fullerton

JA
John Anderson

Judge Kenesaw Mountain Landis

Details

Directed by
John Sayles
Written by
John Sayles, Eliot Asinof
Type
Movies
Released
1988
Runtime
120 min
Country
United States
Ratings
★ IMDb 7.2 · 24,392 ratings
Feels mostly
Sadness
Data updated

Where to watch

Also on

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Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.