The Fabulous Baker Boys
1989 · 114 min · Director: Steve Kloves
Show plot summary (may contain spoilers)
The Fabulous Baker Boys, a Seattle-based duo piano lounge act performing cheesy jazz renditions of pop standards, is comprised of thirty-something brothers Frank and Jack Baker. Older Frank, married with two children, is the controlling business manager, front man and sole programmer of the playlist. Younger Jack is the carefree one without commitments to anything or anyone, including women, he who has had a long string of one night stands, most specifically with cocktail waitresses. Jack's strongest commitments are to his aging dog, Eddie, and to Nina, the lonely adolescent who lives in the apartment above his with her single, constantly dating mother. Jack's commitment to Nina is because of her unwavering commitment to him. The Baker Boys' act is becoming stale and outdated, and as such their ability to hold onto what gigs they are able to get is getting more difficult. So Frank comes up with the idea of hiring a singer to beef up the act. After thirty-seven failed auditions, they finally hire the last, the thirty-eighth auditioner, Susie Diamond, a woman one step above white trash. Despite Susie having no formal singing experience, she has just a strong enough vocal talent of the music they perform, and can sell a song largely on her stage presence and sex appeal. She is able to turn off her outward tough girl demeanor once she's on stage. Susie is initially an uneasy addition to the act, but becomes an integral part of it as the act begins getting more gigs, more lucrative ones at that. But Susie's presence not only threatens the new act, but threatens the interrelationships between all three. Frank believes the biggest threat is any sexual tension, perceived or real, between Jack and Susie. However, the biggest threat is how Susie is able to expose the fundamental rifts between the brothers, Frank whose primary goal is to put food on his family's table, while Jack's is his true musical dreams which are being stifled by the act.
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Emotional fingerprint
The Fabulous Baker Boys (1989) — Movie. Top emotional signals: Melancholy 30%, Humor 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy30%
- Humor25%
- Love20%
- Sadness15%
- Awe10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Humor, Love. Genres: Comedy, Drama, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Humor and Love. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
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Pick up to three · 0/3
Emotional journey
- Melancholy
- Tension
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Melancholy
Dominant emotion: Hope
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Melancholy | Tension | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 33 % | 17 % | 25 % | 27 % |
| 7.5 % | ≈ 9′ | Melancholy | 40 % | 19 % | 27 % | 30 % |
| 12.5 % | ≈ 14′ | Humor | 46 % | 14 % | 26 % | 41 % |
| 17.5 % | ≈ 20′ | Humor | 45 % | 19 % | 24 % | 40 % |
| 22.5 % | ≈ 26′ | Melancholy | 40 % | 29 % | 19 % | 30 % |
| 27.5 % | ≈ 31′ | Humor | 38 % | 28 % | 13 % | 30 % |
| 32.5 % | ≈ 37′ | Hope | 41 % | 26 % | 9 % | 30 % |
| 37.5 % | ≈ 43′ | Love | 45 % | 24 % | 15 % | 26 % |
| 42.5 % | ≈ 48′ | Love | 40 % | 15 % | 26 % | 23 % |
| 47.5 % | ≈ 54′ | Love | 35 % | 14 % | 24 % | 19 % |
| 52.5 % | ≈ 60′ | Love | 43 % | 30 % | 15 % | 19 % |
| 57.5 % | ≈ 66′ | Melancholy | 54 % | 43 % | 24 % | 19 % |
| 62.5 % | ≈ 71′ | Tension | 56 % | 40 % | 44 % | 16 % |
| 67.5 % | ≈ 77′ | Melancholy | 54 % | 39 % | 50 % | 16 % |
| 72.5 % | ≈ 83′ | Tension | 57 % | 41 % | 52 % | 16 % |
| 77.5 % | ≈ 88′ | Tension | 65 % | 48 % | 56 % | 11 % |
| 82.5 % | ≈ 94′ | Melancholy | 63 % | 53 % | 45 % | 11 % |
| 87.5 % | ≈ 100′ | Melancholy | 55 % | 46 % | 28 % | 20 % |
| 92.5 % | ≈ 105′ | Hope | 52 % | 37 % | 17 % | 25 % |
| 97.5 % | ≈ 111′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Nina
Girl in Bed
Earl
Kid at Vet
Theo
Bathroom Attendant
Veterinarian
Waitress
Bad Singer
Details
- Directed by
- Steve Kloves
- Written by
- Steve Kloves
- Type
- Movies
- Released
- 1989
- Runtime
- 114 min
- Country
- United States, West Germany
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





