Pink Cadillac
1989 · 122 min · Director: Buddy Van Horn
Show plot summary (may contain spoilers)
Skip tracer Tommy Nowak (Clint Eastwood) is tracking Lou Ann McGuinn (Bernadette Peters) for a bail bondsman in California. Lou Ann is also being chased by her husband Roy McGuinn (Timothy Carhart) and his birth right/neo-nazi friends for taking their counterfeit money. Nowak eventually captures Lou Ann in Reno, Nevada, but agrees to stop at her sister's on the way back to see her baby. There, she finds her husband and his whacked out friend. A struggle begins and Roy takes off with her baby. Now it's up to Tommy to get the baby back.
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Emotional fingerprint
Pink Cadillac (1989) — Movie. Top emotional signals: Excitement 30%, Humor 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Humor25%
- Empathy20%
- Anticipation15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Humor, Empathy. Genres: Comedy, Crime, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Humor and Empathy. Its IMDb rating of 5.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 57/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sympathy
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sympathy | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 48 % | 22 % | 9 % | 47 % |
| 7.5 % | ≈ 9′ | Humor | 42 % | 25 % | 19 % | 38 % |
| 12.5 % | ≈ 15′ | Humor | 43 % | 33 % | 26 % | 35 % |
| 17.5 % | ≈ 21′ | Tension | 50 % | 44 % | 29 % | 32 % |
| 22.5 % | ≈ 27′ | Sympathy | 55 % | 44 % | 31 % | 34 % |
| 27.5 % | ≈ 34′ | Humor | 56 % | 36 % | 30 % | 45 % |
| 32.5 % | ≈ 40′ | Sympathy | 53 % | 33 % | 36 % | 41 % |
| 37.5 % | ≈ 46′ | Tension | 55 % | 41 % | 35 % | 40 % |
| 42.5 % | ≈ 52′ | Humor | 60 % | 48 % | 31 % | 46 % |
| 47.5 % | ≈ 58′ | Tension | 67 % | 60 % | 42 % | 37 % |
| 52.5 % | ≈ 64′ | Tension | 73 % | 69 % | 57 % | 26 % |
| 57.5 % | ≈ 70′ | Sympathy | 70 % | 62 % | 56 % | 29 % |
| 62.5 % | ≈ 76′ | Tension | 65 % | 59 % | 42 % | 34 % |
| 67.5 % | ≈ 82′ | Tension | 69 % | 66 % | 43 % | 32 % |
| 72.5 % | ≈ 88′ | Tension | 72 % | 69 % | 49 % | 29 % |
| 77.5 % | ≈ 95′ | Tension | 70 % | 68 % | 38 % | 32 % |
| 82.5 % | ≈ 101′ | Tension | 77 % | 76 % | 39 % | 27 % |
| 87.5 % | ≈ 107′ | Tension | 84 % | 69 % | 47 % | 22 % |
| 92.5 % | ≈ 113′ | Relief | 80 % | 45 % | 41 % | 30 % |
| 97.5 % | ≈ 119′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
McGuinn Baby
McGuinn Baby
Policeman #2
Details
- Directed by
- Buddy Van Horn
- Written by
- John Eskow, John Eskow
- Type
- Movies
- Released
- 1989
- Runtime
- 122 min
- Country
- United States
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





