The Krays
1990 · 119 min · Director: Peter Medak
Show plot summary (may contain spoilers)
The life of a pair of twins (Ronald and Reginald Kray) who were born in London in 1934 and when they grew up became gangsters selling protection.
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Emotional fingerprint
The Krays (1990) — Movie. Top emotional signals: Anxiety 30%, Disturbing 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety30%
- Disturbing25%
- Sadness20%
- Tension15%
- Empathy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Disturbing, Sadness. Genres: Drama, Crime, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Disturbing and Sadness. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Disturbing
- Sympathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sympathy
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Sympathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sympathy | 40 % | 30 % | 12 % | 30 % |
| 7.5 % | ≈ 9′ | Humor | 41 % | 32 % | 13 % | 24 % |
| 12.5 % | ≈ 15′ | Tension | 44 % | 35 % | 21 % | 20 % |
| 17.5 % | ≈ 21′ | Sadness | 51 % | 41 % | 35 % | 25 % |
| 22.5 % | ≈ 27′ | Tension | 66 % | 57 % | 55 % | 38 % |
| 27.5 % | ≈ 33′ | Disturbing | 69 % | 52 % | 55 % | 39 % |
| 32.5 % | ≈ 39′ | Humor | 61 % | 38 % | 40 % | 31 % |
| 37.5 % | ≈ 45′ | Disturbing | 59 % | 45 % | 43 % | 31 % |
| 42.5 % | ≈ 51′ | Tension | 54 % | 48 % | 43 % | 30 % |
| 47.5 % | ≈ 57′ | Disturbing | 60 % | 46 % | 48 % | 39 % |
| 52.5 % | ≈ 62′ | Sadness | 71 % | 54 % | 56 % | 51 % |
| 57.5 % | ≈ 68′ | Tension | 70 % | 61 % | 55 % | 50 % |
| 62.5 % | ≈ 74′ | Disturbing | 68 % | 64 % | 57 % | 51 % |
| 67.5 % | ≈ 80′ | Sympathy | 63 % | 58 % | 53 % | 50 % |
| 72.5 % | ≈ 86′ | Tension | 59 % | 49 % | 38 % | 46 % |
| 77.5 % | ≈ 92′ | Sadness | 68 % | 53 % | 38 % | 49 % |
| 82.5 % | ≈ 98′ | Tension | 76 % | 66 % | 54 % | 43 % |
| 87.5 % | ≈ 104′ | Tension | 81 % | 76 % | 70 % | 44 % |
| 92.5 % | ≈ 110′ | Disturbing | 88 % | 83 % | 83 % | 60 % |
| 97.5 % | ≈ 116′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Helen
Charlie Kray Snr
Steve
Cannonball Lee
Charlie Pellam
Mrs. Lawson
Frank
Policeman
Chris Ripley
Details
- Directed by
- Peter Medak
- Written by
- Philip Ridley
- Type
- Movies
- Released
- 1990
- Runtime
- 119 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





